FAC 012610 Amended 1/15/09
to add item SB
PW Market application
AGENDA
FINE ARTS COMMISSION
C O P E RT I N O Regular Adjourned Meeting, Conf. Rm. A
10300 Torre Avenue Cupertino
Tuesday, January 26, 2010 7:00 p.m.
PLEDGE OF ALLEGIANCE
ROLL CALL
ORAL COMMUNICATIONS
WRITTEN COMMUNICATIONS
APPROVAL OF MINUTES
1. Minutes of November 10, 2009.
PRESENTATIONS
COMMISSION REORGANIZATION
2. Appoint the 2010 Commission Chair and Vice-Chair.
NEW BUSINESS
3. Review of public art proposed for the part: site near The Markham (formerly The Villas),
20800 Homestead Road, Cupertino. The ,applicant is Michael Ducote, Prometheus Real
Estate Group.
4. Review of public art proposed for the T-1~lobile monopole, be a combination cellular tower
and lighting stanchion for the baseball fie:~d lights at Memorial Park (corner of Mary
Avenue and Stevens Creek Boulevard). The applicant is Dayna Aguirre. (This project is
not subject to the One-Quarter Percent fot~ Art requirement).
5. 2010 meeting schedule and planning for t:he year's work program.
SB. Initial review of PW Market/Homestead F:etail project which will have a public art
requirement.
UNFINISHED BUSINESS
6. Report from ad hoc committee (Fiegel an~i Chandratreya) regarding opportunities to
leverage grant funds.
COMMISSIONER REPORTS
STAFF REPORTS
January 26, 2010 Fine Arts Commission Page 2
NEWS ARTICLES
ADJOURNMENT
In compliance with the Americans with Disabilities Act (ADA), the City of Cupertino will make
reasonable efforts to accommodate persons with ~lualified disabilities. If
you require special
assistance, please contact the city clerk's office at 408-777-3223 at least 48 hours in advance of the
meeting.
Fine Arts C~~mmission
Public Art Review Form
CUPERTINO
Commissioner: Date: I- ZLo - ZC t~
Project: Tlrtie. i'luvkha.vY1
Developer: Pro+rn e't-In e ~ s
Artist:
o Recommended for approval as submitted
o Recommended for approval with the following conditions:
o Continued to meeting on _ for additional review, with the following
comments, suggestions, concerns, recornmendations (may include but is not limited
to location, landscaping, signage, lighting, etc.)
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Cupertino Public Art
CUPERTINO Application Form
Development Project
Project Name: The Markham Application No:
Address and/or Location: 20800 Homestead Road, Cupertino, CA 95114
Acreage: 26 Acres Lot size: 26 Acres
Bldg. Sq. Ft. 107,050 No. of stories: 2
Arch. Style: Classic Bldg. Usage: Residential
Date of PC approval: Date of CC approval
Planner Name: Aki Honda Estimated occupancy date: October 2009
Detailed project description: Project consists of the ;addition of 116 new apartment units, new recreation
building and swimming pool. The project also includes dedication of approximately .88 acres to the city for
purposes of constructing a public park. Developer will incur the cost to design and build the public park and
dedicate it to the city.
Public Art
Overall project budget (from Pro Forma, et al) $27,826,218.
.25% for Art: $ 70,000. Artwork Budget:
Artwork Name: Pathways BriE~f description: Concrete flatwork and plinths
Materials: Cut, blasted, colored concrete & metals Dimensions: Approx 800 sq ft
Lighted? No Estimated installation date: December 2010
Detailed description of art (location, materials, function, landscaping, lighting, pedestal, etc.): Concrete flatwo
with raised "plinths" that will function as seating/play objects. Laser-cut metal elements of the design will b
embedded in the concrete surface, including the tole surfaces of the plinths. A combination of coloring
techniques, stencil sandblasting, and linear cutting ~Nill be used to install the design into the concrete surface
The artwork will be focused at the junction of pathways at the park's main entry with secondary smaller are
of design in other areas of the park's pathways.
Thematically, the design abstractly refers to the movement of populations and cultures on which Cupertino
founded.
Detailed description of identifying plaque (location, rnaterials):The plaque will be located in a path surface
adjacent to the main entry piece and will be a metal that co-ordinates with the metal embeds in the design.
Cupertino Public Art Application Form Page 2
3- 3
Project Name: The Markham Api~lication No:
Contacts
Developer: Prometheus Real Estate Group, Inc. (Mic;hael Ducote)
Address: 1900 South Norfolk Street, Suite 150,'ian Mateo, CA 94403
Phone (office): 650 931-3457 Phone (cell): 650 245-9394
Fax: 650 931-3657 Em;~il: mducote@prometheusreg.com
Artist: Martin Webb
Address: 913 Key Route Blvd, Albany, CA 94706
Phone (office): Phone (cell): 510-684-4492
Fax: 510-527-9260 Ernail: martin@quicksandstudio.com
Submitted by:
January 8, 2010
Si r Date
Michael Ducote
Printed name
IMPORTANT: ATTACH SITE PLANS, ELEVATIONS, AND A LIST OF ANY OTHER
PERTINENT I~JFORMATION
3- 5
Cupertino Public Art
CUPERTINO Eligible Cost~~ Worksheet
ITEM ESTIMATED ACTUAL COST DATE
COST VERIFIED
Artwork price $70,000.00 $
• materials $ $
• fabrication $ $
• engineering fees $ $
Art Consultant's fees $ $
Lighting Consultant's fees $ $
Transportation of artwork $ $
• shipping $ $
• crating $ $
• truck rental $ $
Installation of artwork $ $
• site preparation* $ $
• labor $ $
• professional fees $ $
• equipment rental $ $
• special hardware/tools $ $
Pedestal or display costs** $ $
Lighting for artwork $ $
Identification plaque $ $
*Directly related to the installation of the art~NOrk (ie: trenching for lighting conduit, piping
for water if water was not previously includE~d in the project, concrete footings, etc.}
**If not already included in the artwork price.
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3-7
CONSTRUCTION COSTS
Total Construction Cost per SF Construction Inflation 0.0%
107,048 Total Construction SF (from Operating Pages)
NSF Cost /NSF Cost /Unit: Total Cost
Demo 8~ On Site Work
Demo- $17.82 $16,441 $1,907;101
On-site work $33.41 $30,831 $3,576,450
Abestos/Lead Abate- $0.63 $578 $0
Site Utilities $38.43 $35,464 $4,113,766
Low Voltage $2.34 $2,155 $250;000
PG&E $1.87 $1,724 $200,000
SUBTOTAL Demo & On Site Work $94.48 $87,192 $10,047,317
Off Site Work
Off Site Street Improvements $1.45 $1,342 ° $155,629.00
Utilities -All $0.00 $0 $0.00
TOC Relocation $0.93 $862 $0.00
Public Art $0.65 $603 $0.00
Cit Park $6.54 $6,034 $0
SUBTOTAL Off Site $9.58 $8,842 $155,629.00
Superstructure
Residential -Wood 107,048 $162.60 $150,049 $17,405,676
Exterior Renovation 0 $54,174 $0
Solar 107,048 $853 $98,901
Recreation Area $1.27 $1,172. $.1.36,005'
Laundry Facilities 107,048 $799 $92,690
Construction Inflation - (10%) $0.00 $0
Value Engineering Efforts ($3.27) -$3,017 ($350,000)
Theater Room $2.24 $2,069 $240,000.00
SUBTOTAL Superstru 107,(148 $223.33 $206,099 $17,623,272
Garage
Parking Ratio (Stall per Unit)
Average Stall Size (SF) -
Garage Cost per SF
Total Stalls 0
Total Garage SF 0
Avera a Cost /Stall :$0
SUBTOTAL Garage $0 $0
NSF Cost /NSF Cost /Unit Total Cost
SUBTOTAL CONSTRUCTION HARD CO 107,018 $327.40 $302,133 $27,826,218
3--~
1
Martin Webb December 21st 2009
Villa Serra Art Project Design Proposal
This proposal will be presented to Cupertino Art Commission's meeting January
26th 2010
January's presentation shall also include physical, color samples and proposed layout
for secondary areas.
Proposal
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Aim
The aim of this piece is to create a piece of artwork that has multiple qualities:
• Is beautiful in its own right and complements the surrounding environment.
• Provides a visual stimulus that will immediately intrigue viewers and then go on
to reveal further layers of interest with many repeated viewings.
• Be a piece that is not a separate, stand-alone element, but one that people can
interact with and make use of as they do with the other features of the park.
• Contains visual elements that relate to the local environment and the local
population.
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Site
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Themes
Having researched into the Cupertino area, I have been focusing on a number of
aspects that have both a cultural pertinence and visual interest.
• The demographic make-up of the city, especially the Chinese and Indian
populations. -
• Flight and migration in the area. The migrating bird life of the Bay and the air-
traffic of the nearby airport are significant local features.
• The history as a fruit and vine growing area.
A selection of references
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Motifs
These themes are represented as follows:
• The circular discs on the pathways leading to the central area are brass inserts
cut in lattice patterns derived from traditional Chinese and Indian decorative
fretwork.
• The discs are connected to a network of fine cut lines that enter and intersect the
central design in a geometric design that suggests diagramatic maps or maybe
electronic circuits.
• The stencil blasted birds are akin to bird's shadows on the concrete and refer to
both the nature of the South Bay and to migration.
• The overlapping and entwining organic forms are reminiscent of many relevant
images -maps, rivers, freeways, veins or vines.
• The recessed relief shapes in the plinth walls are simple silhouettes of different
house shapes will be emblematic of the notion of "home".
3D formed concrete elements
Four raised "plinths" will become sculptural elements that double as seating in the main
North area. These would be formed and poured at the same time as the paving in that
area and would use the same concrete mix. Vertical surfaces should be smooth and
free of obvious seams.
Small recessed shapes will be formed into the vertical surfaces.
Proposed dimensions of raised areas:
• 4 circular shapes in a variety of sizes.
• Diameters will vary from maximum 36" to minimum 18".
• Heights will vary from maximum 24"to minimum 12".
Surface visual elements
The circular area in the centre of the paths' junction will be defined by a perimeter joint
in the concrete. This circular area will be colored with an integral buff color to
differentiate it from the rest of the paving and will be the main area for the application of
the surface art. The top surfaces of the plinths will be treated in the same way as the
pavement so that the plinths appear to have been raised up out of the concrete's
surface.
The techniques used to render the design in the concrete's surface are chosen for their
durability and light-fastness. Most are techniques that physically imprint the design
rather than rely on applied coatings that can wear off. A limited number of stains and
pigments shall be used to accent certain elements but these are all products proven in
their resistance to fading. My experience with outdoor projects leads me to make a
design that relies more on other graphic elements than just on color for its success.
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Proposed design
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Artist's rendering showing the junction of the three pathways with the main piece of
artwork. Below are example of a previous project showing the type of surfaces and
graphic elements that can be achieved.
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Dimensions of the plinths and recesses in plinths:
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Brass inserts:
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Techniques and sequencing
At the concrete pour:
• The plinths will be formed by the concrete contractor.
• Scored control joints will be cut by the concrete contractor to complement the
design. This element will be finalized by discussion between the artist and the
contractor.
• Plywood blockouts will be provided and positioned by the artist for the brass
inlays. These will be troweled into the surface by the concrete contractor.
• Blockouts for the recessed house shapes will be provided by the artist and
located inside the plinth forms prior to pouring.
After the concrete has cured:
• Metal inlays. Flat shapes water-jet cut from '/4" brass will be incorporated into the
surface. The plywood blockouts are removed from the concrete and the inserts
set into apolymer-mortar. The brass pieces will have anchoring studs on their
undersides to ensure that they are solidly set into the cement.
Note: the area and shape of any metal surfaces will take account of their
potential for becoming aslip-hazard. The grid/lattice design should successfully
address this concern but confirmation by the appropriate representative of the
City will be sought.
• Stencil blasting. The sharply defined graphic shapes of the birds will be created
by blasting through metal stencils with aneedle-scaler tool.
• Cutting. The crisp linear elements of the "river" shape and the geometric lines will
be created by cutting the surface. Different widths of lines can be created and
may be grouted.
• Sandblasting. The broader "winding" shapes will be masked and blasted to
create a contrasting lightly textured surface.
• Coloring. Areas will be accented with color using reactive chemical stains or
penetrating pigments.
Identifying plaque
An identifying plaque with the artist's name, title of the piece, and date of the work will
be installed in the pathway to the north side of the artwork and adjacent to the work.
This will be approximately 8 x 8" and will be made of brass to co-ordinate with the other
metal embedded objects.
3-~8
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Previous projects by Martin Webb
I worked for several years as Art Director for a company specializing in decorative and
graphic concrete floors. My role included designing artwork, coordinating and
supervising installation teams, and hands-on installation work. In this commercial work I
have designed and worked on projects covering hundreds of thousands of square feet
of concrete in the USA, Canada and Mexico.
My work now is divided between studio art work where I make paint on panels with
pigmented cement and other materials, and public artwork. Previous projects include:
The Mercer Building, Walnut Creek.
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MARTIN WEBB
913 Key Route Boulevard, Albany, CA 94706
Email :martin@martinwebbart.com. Te1:510-684-4492
Website : www.martinwebbart.com
SOLO EXHIBITIONS
2010. Solo Show at City of Reno Metro Gallery Summer 2010..
2009/10. Well, how did I get here? De La Sole, San Francisco CA
2009. Fully Guaranteed Genuine Pure Zza's, Oakland CA.
2008. Best Western Esteban Sabar Gallery Oakland CA.
Solo show. Tercera Gallery Palo Alto CA.
Solo show. DiPietri Todd San Francisco CA.
2007. Passengers Float Gallery Oakland CA.
Solo show,Truckee River Gallery Reno NV.
2006. Solo show Venus Berkeley CA.
SELECTED GROUP SHOWS
2010. Manmade two person show with AI Honig, 525 Market Street San Francisco CA.
depARTures three person show. Float Gallery Oakland CA.
2009. ProArts East Bay Open Studios.
California Modern Gallery San Francisco CA.
Metro Galleries Bakersfield CA.
Eco-Art Show UC Berkeley.
2008. Reflections of the Bay juried show California Modern Gallery San Francisco CA /Mesart.
A New Leaf Gallery Sonoma CA.
2007. Inart Gallery Santa Fe NM.
Esteban Sabar Gallery Oakland CA.
Tercera Gallery Palo Alto, CA.
A New Leaf Gallery Sonoma CA.
2006. Ebb and Flow Sausalito Arts Commission juried show Sausalito CA.
Float Gallery Oakland CA.
Geometrical Deconstructions California Modern Gallery, San Francisco CA,.
2005. Sculpturesite Gallery San Francisco, CA.
A New Leaf Gallery Sonoma, CA.
2004. New Works A New Leaf Gallery, Berkeley CA.
Dwelling juried by Steven Oliver, A New Leaf Gallery, Berkeley CA.
2003. Novo A New Leaf Gallery, Berkeley, CA.
2002. Halcyon Sheffield UK.
2000-02. Cupola Gallery Sheffield UK.
2000. Benicia Arts Benicia CA.
1999. Arts Benicia juried show Benicia, CA
PUBLIC ART
2009-10. Northern California Public Art Academy current participant.
2009. Cupertino CA currently developing a commissioned public piece to be installed in 2010.
2009. Los Angeles County Art Commission currently a finalist for a public art project for Vasquez
Rocks Natural Area Park.
2008. City of Santa Rosa CA commission in conjunction with Simon Properties. Piece 38x17 ft of
concrete paving with cut and blasted artwork inset into pedestrian walkway,
2007. City of Walnut Creek CA "The First Object He Looked Upon" exterior wallpieces
commissioned for The Mercer Building.
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11
PRIVATE AND CORPORATE COMMISSIONS
2009. Triptych commissioned by Chandra Cerrito Art Advisors.
2006. Constellation triptych and Brownian dipty~:h purchased for lobby of US headquarters of
Novartis Pharmaceuticals, NJ.
2004 to present. Multiple private commissions for interior and exterior pieces in the USA and UK.
PUBLICATIONS
2009. Best Western -Travel paintings by Martin Webb self-published at Blurb.com
2005. A New Leaf Gallery -an urban cultural o~isis gallery retrospective,
Brigitte Micmacker and John Denning.
REVIEWS AND ARTICLES
2009. Oakland Sweetart Magazine Family Security Matters project profiled by Obi Kaufmann.
East Bay Express Critic's Choice of Pro Arts Open Studios.
2008. East Bay Express Critic's Choice Best We:~tern show reviewed by DeWitt Cheng.
Piedmont Post Best Western show review.
Oakland Magazine "The Oakland Period -Reused, Recycled and Found Materials Define an
Art Movement" article by Alex Handy.
Walnut Creek Journal "The First Object HEM Looked Upon" commission profiled.
TEACHING
11 years full time teaching art in public, comprehensivE~ schools in Sheffield and Rotherham, England,
and Vallejo, California. Teaching students age 11 to 1 i:; painting, drawing, mixed-media, and ceramics,
including six years as Head of Department.
EDUCATION
2009-10. Northern California Public Art Academy.
1991. Bretton Hall College, University of Leeds UK. Post Graduate Certificate in Education -High
School Art and Design Technology.
1986. Lancaster University UK Bachelor of Arts 1lonors -Visual Arts. Special studies in
drawing,painting and illustration.
1983. West Nottinghamshire College UK DATE(; Diploma in Art and Design.
3-a ~
12
Cupertino Public Art
CUPERTINO Eligible Costs Worksheet
ITEM ESTIMATED ACTUAL COST DATE
COST
VERIFIED
Coloring materials, sealers etc $S00 $
Metal fabrication $1500-2500 $
Equipment consumables $500-1000 $
Equipment rental $500-1000 $
Misc materials, templates etc $400-800 $
CAD sub $500 $
Installation assistant sub $7,500- $
10,000
Sandblasting sub $2,000-4,000 $
Travel and accommodation $3,000-4,000 $
Professional fees $500-1,000 $
Identification plaque $400 $
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Fine Arts C~~mmission
Public Art Review Form
CUPERTINO
Commissioner: Date: 1- Z.(~' Z~ 1 C~
Project: "CEri~er~tetd~' - -T~N\~btilP ~a~n.opol~.
Developer:_ T Mybtte
Artist: _ R i t 5 ~ ur t,J e.tl
o Recommended for approval as submitted
o Recommended for approval with the following conditions:
o Continued to meeting on _ for additional review, with the following
comments, suggestions, concerns, recorrimendations (may include but is not limited
to location, landscaping, signage, lighting, etc.)
CUPERTINO Fine Arts Commission
Criteria for Review and Recommendation
Updated July 29, 2008
The following criteria are based upon the "Selection of Public Art adopted by City Council on
March 1, 2005.
o Aesthetics -lasting aesthetic value that enhances the city's cultural environment by
being receptive, respectful and stimulating; It contributes to the comprehensive record
of visual arts for the community.
o Artist's Background -the artist has the overall experience and knowledge to design,
fabricate and install alarge-scale artwork.
o Style -artwork is compatible in scale, materials, form and content with its surroundings.
o Permanence -structural and/or surface soundness, resistance to theft, vandalism, and
weathering, as well as maintenance and repair costs.
o Liability -meets safety conditions and factors that bear upon public liability.
o Access -meets ADA accessibility requirements; is in the public view, with a visible
impact at a distance of not less than 100 feet from pedestrians or moving vehicles.
o Duplication -preference is given to original, one-of-a-kind artwork not duplicated in
Cupertino or nearby communities.
o Preference -preference is given to artists living or working in the San Francisco Bay
Area and to artists whose work is not already displayed as public art in the Cupertino
area. The developer is encouraged to select artist(s) of diverse ethnicity.
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Dec 23 09 02: 28p Ri is `Burwel 1 _ _ 707-538_2676 _ p, 1_ _
~upertina I'ualic Art
CUPERTIMO Application Form
Development Project
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Address and/or Location: fl
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Bldg. Sq. Ft. J l~" No. of stories: J
Arch. Style: _ (\t ~ ~ Bldg. Usage: r,1 j
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Date of PC approval: n `c Date of CC approval~'-y
Planner Name: ~ Estimated occupancy date:
Detailed``pro' ct sc i tion: I
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Materials: n~-~ ~ Z P _ Dimen:~ions: F,`-
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Detailed description of art (location, materials, function, ndscaping, lighting, pedestal, etc.:
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~c 23 09 02:29p Riis Burwell 707-538-2676 p.l
Cupertino Public Art Application Form Page 2
Project Name: ~l'~ r-Q~~ tc.2~ Application Na: ~-XG
Contacts
Developer: ~ D vlT~ S ~"r~ ~ ~
Address: ' _ ~
Phone (off'ce): Phone (cell): S
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Fax: Email: St~S ~ ~i~S (cc~~-c.Jel , ~.c>~
Submitted by:
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Signature Date
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Printed name
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IMPORTANT: ATTACH SITE PLANS, ELEIJAT#ONS, AND A L#ST OE AI1#Y OTHER
PERT#NENT INFORMATION
Dec 23 09 02:30p Riis Burwell 707-538-2676 p,i
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Cupertino Public Art `
CUP>!~RTIiNa Eligible Costs 1Alorksheet
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ITEM ESF[MATED ACTUAL COST DATE j
COST VERIFIED ~
Artwork price ( e - +c ~ ~e~ $ l (~QQ $
• materials $ "~,~i $
• fabrigation $ ' $
• engineering fees $ $
Art Consultant's fees $ $ i
Lighting Consultant's fees $ $
Transportation of artwork $ ! $
• shipping $ $ ;
• crating $ $
• truck rental $ ,/~`"p~ $ ~
installation of artwork $ $
• site reparation* $ $
• labor $ $
• professional fees $ $
• equipment rental $ $ .
special hardware/tools $ $
Pedestal or display costs** $ $
Lighting for artwork $ ~ ~ $
identification plaque $ $
*Directly related to the installation of the artw+~rk (ie: trenching for fighting conduit, piping
for water if water was not previously included in the project, concrete footings, etc.j
**If not already included in the artwork price. f
APPLICANT MUST ATTACH THE PRO FORMA (OR EQU11fALE~VT) TO
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Riis Burwell, Personal Information Page 1 of 2
Personal & Professional
History
[Zii:s was born in Ne~~~ I laven, t. onnecticut in 1954.
I-Ie attended Kent State university for t~vo years
studying arditecture until he realized that his heart was
irl sculpture.
}-{e transferred to Wyndham C'u1lege in Vermont; and then completed his
w~dergraduate education at Godcard College in Vermont ~~~llere l~le received his
Bachelor of'1=ine Arts.
Since 198 Riis has been designing and hand-fabricating exquisite abstract
rnetai sculpture. His Northern C~:lfornia "~V-ine Country" t~x~thill property is home
to his 4,OOU square fi~ot studio.. as well as his family's residence.
• ,
Contact Information ,
Riis Burwell '
3815 Calistoga Rd , " -
Santa Rosa, CA
95404 ` ` y.
(707}538-2676 [u addition to hand-fabricatin; tabletop, wall and large free-standing sculpture,
riis(cr~,riisburwell.com Riis sl3cnds his time planting and tending his bonsai, succulent and cactus gardens
interspersed with fish pirndti and colorful t7owering plants that bloom virtually all
year long. He enjoys camping in the Sierras and sailing; but lately has had to
content himself with building and sailing detailed model sailboats for ~~,hich he
designs arld fabricates male- of I•~is o~vn parts. But at least in one area; the tov is full
size--motorcycle riciing. tVine Country is ideal For breathtaking rides.
RECENT COMMISSIONS /SPECIAL. PROJECTS
2006 Palms Imaging, 48" bronze, Oxnard, CA
2006 TCC; four 28" bronze to ale-top sculptlu•es, I-:tong Kong
2005 SAS lnstihrte. 10' bronze:, Cary, NC
2005 '[he Mirage, 5' bronze, L.as Vegas, NtJ
?005 Newberg International, Ltd., ~2" brimze. Hong KonU
2007 Presbyterian Hospital, ~t~?o 44" bronze mall pieces, Denton, .I'X
?Q04 C.;reen ~/alley Ranch Re~.ort, 17' bronze, Hendersim. N~'
20()3 Norl<~lk Special Projects, 46" bronze,'stainless wall Niece, Boston, 141.1
2003 I-{vatt I-{otel, 1 t' bronze, Santa Rosa, CA
2001 Burbas~ih Airport Plaza, 1 ' bronze, I3u?•bank, C'A
SELECT COL:LF.,C'TLONS
Fresno Museum of Art
y- ~
Lu«.//_.,.. L,.,...,,oll nr.m /r.arennat htmt II/I2OlO
Riis Burwell, Personal Information Page 2 of 2
Jones Spacelink
Kaiser Permanente
Suffolk Construction Co,
'I1-~unmetl Cres~a~ Co.
Valley I_,ab Company
Hyatt Vineyard Creek Hotel
Vdilliams Corporation
American Nevada Company
'Tha l~-1G1~9 (4~lirage
'The Ci>ntinuity Ci~mpany
SAS lnstituie
Numerous I''rir~ate collectit~ns ~4~ithin the L!nit.ed States. Europe and South
:lanerica
/q
t_«---~~____.._. _..,.t........,.ll ....«,~/r~orcrino~ }~tm~ l~/~201~
Riis Burwell Sculptures Page 1 of 1
~ i~ ,,,i My sculpture draws its vitality from my
y reverence fir nature and my fascination
with the opposing forces of geometry acid
entropy that underlie the structure o{'tl~e
~ ey physicak world_ The delicate balance
E ; ~
~ ~ ~ bettiveen i,rrder and chaos, };row~ch and decay
vim-
~ ol'all matter intrigues and inspires mc.
,t I work primarily with steel, stainless steel
•4'~ i~.: ar~cl bronze because i}f their perrtianence
' and inheri;nt beauty as we 11 as their cluakity
r of character. '171ey are, at the same time,
utilitarian yet graceful, strong yet
yieldingly flexible to the ~j-ekk-trained
} r= artisan and have tl7e ability tt~ evoke a
variety of textures through surface
treatment: from naturally rusted tip smooth
..~,~r ~.r~` y a
.•..-,.::~.~.;~:~.a and gleaming; fl~orn a soft natural patina to
deep larown or black. Sir7ce k do not cast
any part of a scr~i Ipture, but rather hand-
Sprrrt ~"orn~ Ernerr,~hTg, 2004; Uror ze fabricate all shapes for each particular
The District at Green Valley Rarrch Rasort rn
Contact Information the Las Vegas VaNey; Henderson. Nevada piece. the final product is unique unto
Rns Bunrvell itself'. "These metals demand oftl~e artist,
3895 Calistoga Rd
Santa Rosa, CA but per-Cor-rn in equal measure.
95404
{707)538-2676 Creating sculptw• provides me 4vith a
riis(a~7riisburwell.com deeper connection to the beauty inherent in
nature and ultimately, to the Divine.
Riis Burwcil
2002
~-16
http://www.riisburwell.com/ 1 /7/2010
y-"J~ 2'
OIq~RAOOME
I I -
-
- MICHAEL WILK M
PROPDSm T-MOBILE
QUAD-PORT PANEL. ANTENNAS, ARCFTEC TUBE
2' OIA RAOOME IYP. OF 6 TOTAL (2 PER
( SECTOR STgCTEO). CONCEALED
WITHIN RADOMIE CYLINDER. -
(PAINT 10 MATCH (E) STADIUM B33 Mokef 6haet. #BOS
PROPOSED i-MODILE LIGN1 POLE) ~ n $an FrnnclSCO, CA 94103
OUPU-POkT PANEL ~ (a~"`Z(y~. T: 4159349594
i~'. ANTENNAS, TYP. OF 6 TOTAL L; F: AI5904 B3B8
(2 PER SECTOR STgCTEU).
CONCEALED WITHIN RADOME (E) FIFLO LICIi15 TO BE ~ WWW~WIIkorcRCOm
_d CYLINDER. (PP1NT TO RELOCAiEp of T41E SAME
MATCH (E) STADIUM LIGfIT 11EICHT a
.~'i~'. POLE) PROPOSED 12" DIA.
TEMP. MICROWAVE DISH
~'i PROPOSEp 16' DIA.------- ~ ¦
NEPIACEMENI FIELD o
LIGHT POLE- (PAINT i0 _
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LIGHTS LIGHT POLE) F'd~
_ (E) SEADIUM IIGHI POLE
TO BE REMOVED k ~ gggY
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PROPOSED T-MOBILE u ~
LEASE/ EQUIPMENT AREA ~ ~ ~ 13}'aa
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PflOPO6E0 12' DIA. 4 l~4 ¦ $au"
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POLE IYP. OF 6 TOTAL (2 PER W ~ ~
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PROPOSED (PP1NT i0 MATCH (E) SfPLIUM
SCULPTURE BY LIGHT POLE)
OTHERS
- (E) fi0' NT. BTAOIUM
RELOCg1E0 FIELD LIGHTS i LIGHT POLE
(Ai SAME HEIGI I'f)
PROPOSED IZ' DIA. J
TEMP. MICROWAVE DI511
PROPOSED I6" DIA. _ 5
REPLACEMENT FIELD LIGHT
POLE. (PAINT TO MATCH
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PROPOSED SCULPTURE 1 12 03 OB 90X ZONING
RY OTHERS 2 12 04 00 909. ZONING REV.
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4 02 19 09 IOOR ZONING REV.
I y 5 02 23 091008 ZONING REV.
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PftOPOSEO T-MOBILE l~ - ~ FENCE ITT. CHAINLINK
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PROPDSeD e' HT. ~ - ~ lV II~~ i;- ;)-~Ih"' g ELEVATIONS
CIWNLINK FENCE W/ ~Q~ ` ~x ~ " - JJ ~ "
GREEN VINYL SLATS ~'1 N~ y .I
F I _ _ SHEET NUNBEft
ENLARGED NORTHEWEST ELEVATION ® 3 NORTHEAST ELEVATION ® 2 ~
i
Jan 26 7:00 FAC meeting
Feb 10 4:30 m Mayor's meeting
Feb 23 7:00 pm FAC meeting
Mar 10 4:30 m Mayor's meeting
Mar 23 7:00 m FAC meeting
April 14 4:30 pm Mayor's meeting
A ri127 7:00 pm FAC meeting
May 12 4:30 pm Mayor's meeting
May 25 7:00 pm FAC meeting
June 9 4:30 pm Mayor's meeting
June 22 7:00 m FAC meeting
July 14 4:30 pm Mayor's meeting
July 27 7:00 m FAC meeting
Tbd Tbd Shakespeare In thE, Park -reception &
Distinguished Artist announcement (date
is tentative)
Aug 11 7:00 m Mayor's meeting
Aug 24 7:00 pm FAC meeting
Sept 8 4:30 pm Mayor's meeting
Sept 18 Tbd Fine Arts League reception/Fall Festival
kickoff
Sept 28 7:00 m FAC meeting
Oct 13 4:30 pm Mayor's meeting
Oct 26 7:00 m FAC meeting
Nov 10 4:30 pm Mayor's meeting
Nov 23 7:00 pm FAC meeting
Dec 28 FAC meeting -cancelled or rescheduled
to earlier date
All commissioners are invited to the annual Corrunissioners' Recognition Dinner, sponsored by
the City. You may also wish to attend the quarterly artists' receptions at the Euphrat Museum of
Art.
~
Fine Arts Commission
2010 Meeting Schedule
CUPERTINO
Regular meetings of the Fine Arts Commission are held on the fourth Tuesday of each month at
7:00 p.m. (unless there is a conflict with holiday schedules). The group meets in Conference
Room A of City Hall, 10300 Torre Avenue.
A representative of the Fine Arts Commission typically attends the Mayor's monthly meeting as
well. Those are held on the second Wednesday of each month, beginning in February, from 4:30
p.m. to 5:30 p.m. in Conference Room A.
Additional meetings may be called as needed, although the staff liaison may not be available. In
that case, the commission will be responsible for preparing the minutes, as well as arranging for
the staff liaison to post the agenda 72 hours prior.
Commissioners may work in groups of two as ad-hoc committees with no requirement for
agendas or minutes. For further information on Brown Act limitations, please contact Kimberly
Smith, City Clerk, 777-3217, or send email to kimberlys@cupertino.org
Any commissioner who misses more than 25% of the meetings, or misses more than 3 meetings
in a row, will be immediately removed from the commission, and may only be reinstated upon
action of the City Council.
5-r