02090113or r
i
sen..�O. or automated
CITYBUILD? G DIVISION CONTRACTOR INFORMATION:
PERMIT
B�f1YD14NG?ffARGROVE DR ABLE ROOFING INC.
PERMIT
T*PPL1"XIAN L AND CLAUDIA M 1420-B CONCORD AVE
APPLICATION
PHONE: SANITARY NO. CONTROL NO.
(925)689-8558
ZO ARCHITECT/ENGIN "ER: BUILDING PERMIT INFO
BLDG ELECT PLUMB MECH
6
z, LICENSED CONTRACTOR'S DECLARATION JO Description
I hereby affirm that I am licensed under provisions of Chapter 9 (commencing P
wim Septmn nine Dmixron3anne Bax�npx an-efProrrexxmnxende,G/amy panxe INSTALL DI: & A C
,5 Leefull adeffect /J / f�9N�9Jam,�je•j
Licenx ss r.`s� Lc p J bb saw .
Dam
�+ CNITER'S DEtyutAT10N J
I undersmnd my plans sM1ull be used as public .sheds '
o Licensed Professional I�C�tI U 1 2002
OWNER -BUILDER DECLARATION
m
I hemby affirm that 1 am exempt from the Com actor's License law for the
Gfollowing ream..IS.it1 ]03L5,Business and ve deionsCodc:Anycity mcoune BUILDING $16000
which ns ooton peonit m ene the aper, improve, demolish, nr..ir any worm.
- -prior tons shaeissons ntfar suchratois 51 Liconso Law
sea,amens- �,s�a --.-
- that eefkli«b9?d pulxupntmNk ptdvitlons of,hc Contractors Littnu law (Chap,cr9' .+-,' ,, 3.7" S�SL.Orr l,we..,a N. .+?, .,, -. - -Valuation
fcom,nercingwiN Secpan]d0ol ofDivi:inn Sof Ne Bminesp and Professions Codc)' t k.\llix. a osis>J.."YVtiL.wic'�r{A(\'
or 11. heli exempt ,be.froln'and the basis for the alleged eknop,iun. Any violation ' t
-of Section 9031.5 by any applicant for a permit subjects the applicant to a civil penalty
nrnntmnrcNamrvenanareaeagars(ssdol. 204ARNMDMFLOOR F ME'Iarr'l;'::'3 Occupancy Type
01, m owner of she pros m my employees with wages as their sole Compensation, 301 - ROUGH PLUMBING
av, o-,, a"work,-anal ,i.h, ase: Th is nbf intended d or License
Law
apply to ad 303 - ROUGH ME�/.�
t Busiheis`abd•Profeszions Code: The Contractors License taw d«x not apply ,o an 4ACt10nS'f'-`• `-
Owner of progeny, Who builds or improves thereon, and who does such words himself 304 - ROUGH ELECTRICAL
or th gh his ovevicees provides Nat, lu mpmvememc are not intended or
:offered compx I,lthnwever the boldin%- P mroin -sold wenn not rcar'of----'------505*----.....FINAL_..ELECTRICAL; v.i .a: :.. .....
completion. for Nc owner bonder will have the burden of proving Na, he did not butlJ or
imv.m for purpose of solei). 507 - FINAL PLUMBING '
: O1:esownerofrbepr rty.amexclusivelycomm'ctingwidnliceneedCotrannmro
License Law
projeo Business and P.fexho builds cneeamprves Ton Imm:a 514 - FINAL PUBLIC WORKS:' p,
- uml,h Law daps not apply -i an Owner of properly who busies or improves Nt.dic,
`. _Co who_comsacu.fur-such.Pmjam wiN.a conmanorts7.1¢enwl.Pursuant.m.Ne.
- Comracmis License Law.Fs s'r,.: ;: ••.•.�:'. :T :'_. l'
ti ❑lam coni unJer Sec ":B&PC for this reasono 11
:'1} ); :,�f;n+ill❑
WORKER'S COMPENSATION DECLARATION
'�,'i •:. tl hereby a0irm under-peml,y of perlury On c of in following declarations:—
❑ 1 he6c aria will'mainsain'a'Ciihificam-of Conon,'to self -roar. for Worker's
Compensation, as, provided for by Section 3]OU of the Labor Code, for the
performinee of Nd work for which this permit is issued. ,_
j. ❑ I have hod will' mainuin Worker's Compensation Ii
main
as required by Section
17.00 of the Libor Gide, for the pekorima ce of the work for which his permit is
ism J My Workers ' C pe s i 1 ora e carrier and Pol cy « '
�T ivi ERTIFICATION OF,EXE NFROM wORKHRSf -_ � 1i ' # .+-14. I A,_ }.1 .aj ..t lr.- Av `i;: i A't,i I. Lr- •I d' 41
-' COMPENSATION INSURANCE'"
^"''(This�iec�Lm aced not bc�cnmpleied if the permit is for one hundred dollars
I$10(i less.)
,s.'ha al en fyyhrnesan in an oors k6b LhN object
to t_'.
s. d 1
sit II m ploy any Anon n any mariner so as in become subfen m the Workers : ' -
'gorrin. laws of California. Dam `
NOTICE TO APPLICANT: If aft rvwk gth C taco. fE ,pt on'yau.ho,ilJ,' _, ,
� n«'me sublcn to Nd Worker.0 i,pcnet p 3bf th L&er Cede. you moa.
�. fonhwlN comely with soap provixiore or this perms, shall be Jecmee revoked.
! yCONSTRUCTIONLENDING AGENCY "' "' ,_rI' [. .
m 1 hereby Yarm Na pe , n o I 7. Cis,
n Y f Nd performance ,'„ r
,r .
� 'of to kf 'which ,h permit 'issued (S '3(19] C.C) � -
a
1 ccnify thin 1 have neuritis application and state bulk above information is
correct. 1 agrte to Curt y, with all city and county nrdidai and gam laws relining
'no builJing constmnion, and heresy SmM1oriae'rtprcncnmtivexoT this city. enmr.",
sI' she above-mentioned properly for inspection purposes.
y (N'el hgrce io sa'velindemnify and keep harmless She City of penino against
� nab I'i e I dgmenu, ensu arM genus h ch may any y e < against said i
- City neo uquen<e oath g nY gof,h / "[/
'APPI CAKTUNTIERSTA\DSA DWILLCOMPLY WITH ALL M1Oh:yfJ'NT'' /
97,0 Issued by;LAsu— Date
s t fAPPLonUCon ,a _, , . "' ;Dae Re -roofs
' p -p; HAZARDOUS MATERIALS,DISCLOSURE .-
,,. W 11 r« app) n , fuwrc bu icing xt m «,ear Ile narallo x num al Type of Roof__... _ _ _
zdefncd byth Cpcn no Mu iPaIC Ch p, 912adNcH IN ndS fry � _�� � � ���- - "
CPJe Ski n255J�)l i , 4} �f ae - Ii`, - IJ,;I Rt,.tl ,l, ✓ I(,,
All roofs shall be inspected pnor.[o.any roofing.matenal being installed._____..
wRm vel t bile l toequ p e when If a roof is installed without first obtainingan ins ectloD, •Pa feeato remove _
ht d oro df ❑by theBay Area QualityMnagm t P g
YCC- - , all newmaterialsfor inspection Applicant understands and will comply with
all`non- olnt sourceiegulahons
c p Its. rdo i m sun rcqu a is do Ch p, 695of the
C i ! h Safety Cad 5 tom 5505 25533 and 355]3 I d rsand that '
ilNe nods, doe to tlyhac tenatN,t yrcpb blryt notify NeT '" - - '�q - - 7 �) -_
a rein t rcment 1,ch imus, be , p m is c of CeniOcm of \G(� C O?!l/t- F �� / •' �Z
cmr x IN&s' 02 S!gnatureofA Applicant
_
p qm
% PP_
agent
_._.�... ..__..._._-'OFFICE-
All roof coverings to be Class "B" or 6ettei - '
Date
or r
i
sen..�O. or automated
CITYBUILD? G DIVISION CONTRACTOR INFORMATION:
PERMIT
B�f1YD14NG?ffARGROVE DR ABLE ROOFING INC.
PERMIT
T*PPL1"XIAN L AND CLAUDIA M 1420-B CONCORD AVE
APPLICATION
PHONE: SANITARY NO. CONTROL NO.
(925)689-8558
ZO ARCHITECT/ENGIN "ER: BUILDING PERMIT INFO
BLDG ELECT PLUMB MECH
6
z, LICENSED CONTRACTOR'S DECLARATION JO Description
I hereby affirm that I am licensed under provisions of Chapter 9 (commencing P
wim Septmn nine Dmixron3anne Bax�npx an-efProrrexxmnxende,G/amy panxe INSTALL DI: & A C
,5 Leefull adeffect /J / f�9N�9Jam,�je•j
Licenx ss r.`s� Lc p J bb saw .
Dam
�+ CNITER'S DEtyutAT10N J
I undersmnd my plans sM1ull be used as public .sheds '
o Licensed Professional I�C�tI U 1 2002
OWNER -BUILDER DECLARATION
m
I hemby affirm that 1 am exempt from the Com actor's License law for the
Gfollowing ream..IS.it1 ]03L5,Business and ve deionsCodc:Anycity mcoune BUILDING $16000
which ns ooton peonit m ene the aper, improve, demolish, nr..ir any worm.
- -prior tons shaeissons ntfar suchratois 51 Liconso Law
sea,amens- �,s�a --.-
- that eefkli«b9?d pulxupntmNk ptdvitlons of,hc Contractors Littnu law (Chap,cr9' .+-,' ,, 3.7" S�SL.Orr l,we..,a N. .+?, .,, -. - -Valuation
fcom,nercingwiN Secpan]d0ol ofDivi:inn Sof Ne Bminesp and Professions Codc)' t k.\llix. a osis>J.."YVtiL.wic'�r{A(\'
or 11. heli exempt ,be.froln'and the basis for the alleged eknop,iun. Any violation ' t
-of Section 9031.5 by any applicant for a permit subjects the applicant to a civil penalty
nrnntmnrcNamrvenanareaeagars(ssdol. 204ARNMDMFLOOR F ME'Iarr'l;'::'3 Occupancy Type
01, m owner of she pros m my employees with wages as their sole Compensation, 301 - ROUGH PLUMBING
av, o-,, a"work,-anal ,i.h, ase: Th is nbf intended d or License
Law
apply to ad 303 - ROUGH ME�/.�
t Busiheis`abd•Profeszions Code: The Contractors License taw d«x not apply ,o an 4ACt10nS'f'-`• `-
Owner of progeny, Who builds or improves thereon, and who does such words himself 304 - ROUGH ELECTRICAL
or th gh his ovevicees provides Nat, lu mpmvememc are not intended or
:offered compx I,lthnwever the boldin%- P mroin -sold wenn not rcar'of----'------505*----.....FINAL_..ELECTRICAL; v.i .a: :.. .....
completion. for Nc owner bonder will have the burden of proving Na, he did not butlJ or
imv.m for purpose of solei). 507 - FINAL PLUMBING '
: O1:esownerofrbepr rty.amexclusivelycomm'ctingwidnliceneedCotrannmro
License Law
projeo Business and P.fexho builds cneeamprves Ton Imm:a 514 - FINAL PUBLIC WORKS:' p,
- uml,h Law daps not apply -i an Owner of properly who busies or improves Nt.dic,
`. _Co who_comsacu.fur-such.Pmjam wiN.a conmanorts7.1¢enwl.Pursuant.m.Ne.
- Comracmis License Law.Fs s'r,.: ;: ••.•.�:'. :T :'_. l'
ti ❑lam coni unJer Sec ":B&PC for this reasono 11
:'1} ); :,�f;n+ill❑
WORKER'S COMPENSATION DECLARATION
'�,'i •:. tl hereby a0irm under-peml,y of perlury On c of in following declarations:—
❑ 1 he6c aria will'mainsain'a'Ciihificam-of Conon,'to self -roar. for Worker's
Compensation, as, provided for by Section 3]OU of the Labor Code, for the
performinee of Nd work for which this permit is issued. ,_
j. ❑ I have hod will' mainuin Worker's Compensation Ii
main
as required by Section
17.00 of the Libor Gide, for the pekorima ce of the work for which his permit is
ism J My Workers ' C pe s i 1 ora e carrier and Pol cy « '
�T ivi ERTIFICATION OF,EXE NFROM wORKHRSf -_ � 1i ' # .+-14. I A,_ }.1 .aj ..t lr.- Av `i;: i A't,i I. Lr- •I d' 41
-' COMPENSATION INSURANCE'"
^"''(This�iec�Lm aced not bc�cnmpleied if the permit is for one hundred dollars
I$10(i less.)
,s.'ha al en fyyhrnesan in an oors k6b LhN object
to t_'.
s. d 1
sit II m ploy any Anon n any mariner so as in become subfen m the Workers : ' -
'gorrin. laws of California. Dam `
NOTICE TO APPLICANT: If aft rvwk gth C taco. fE ,pt on'yau.ho,ilJ,' _, ,
� n«'me sublcn to Nd Worker.0 i,pcnet p 3bf th L&er Cede. you moa.
�. fonhwlN comely with soap provixiore or this perms, shall be Jecmee revoked.
! yCONSTRUCTIONLENDING AGENCY "' "' ,_rI' [. .
m 1 hereby Yarm Na pe , n o I 7. Cis,
n Y f Nd performance ,'„ r
,r .
� 'of to kf 'which ,h permit 'issued (S '3(19] C.C) � -
a
1 ccnify thin 1 have neuritis application and state bulk above information is
correct. 1 agrte to Curt y, with all city and county nrdidai and gam laws relining
'no builJing constmnion, and heresy SmM1oriae'rtprcncnmtivexoT this city. enmr.",
sI' she above-mentioned properly for inspection purposes.
y (N'el hgrce io sa'velindemnify and keep harmless She City of penino against
� nab I'i e I dgmenu, ensu arM genus h ch may any y e < against said i
- City neo uquen<e oath g nY gof,h / "[/
'APPI CAKTUNTIERSTA\DSA DWILLCOMPLY WITH ALL M1Oh:yfJ'NT'' /
97,0 Issued by;LAsu— Date
s t fAPPLonUCon ,a _, , . "' ;Dae Re -roofs
' p -p; HAZARDOUS MATERIALS,DISCLOSURE .-
,,. W 11 r« app) n , fuwrc bu icing xt m «,ear Ile narallo x num al Type of Roof__... _ _ _
zdefncd byth Cpcn no Mu iPaIC Ch p, 912adNcH IN ndS fry � _�� � � ���- - "
CPJe Ski n255J�)l i , 4} �f ae - Ii`, - IJ,;I Rt,.tl ,l, ✓ I(,,
All roofs shall be inspected pnor.[o.any roofing.matenal being installed._____..
wRm vel t bile l toequ p e when If a roof is installed without first obtainingan ins ectloD, •Pa feeato remove _
ht d oro df ❑by theBay Area QualityMnagm t P g
YCC- - , all newmaterialsfor inspection Applicant understands and will comply with
all`non- olnt sourceiegulahons
c p Its. rdo i m sun rcqu a is do Ch p, 695of the
C i ! h Safety Cad 5 tom 5505 25533 and 355]3 I d rsand that '
ilNe nods, doe to tlyhac tenatN,t yrcpb blryt notify NeT '" - - '�q - - 7 �) -_
a rein t rcment 1,ch imus, be , p m is c of CeniOcm of \G(� C O?!l/t- F �� / •' �Z
cmr x IN&s' 02 S!gnatureofA Applicant
_
p qm
% PP_
agent
_._.�... ..__..._._-'OFFICE-
sM=
Mta H
a a 6
ELo5
Hs
yay�x�a
16�ce
r1
CITY OF CUPERTINO"
'
BUILDING DIVISION p T
'CONTRACTOR INFO ATION:.
B DNO
RPMGROVE DR
ABLE ROOFING INC.
PERMIT NO.02090113
T'Ek"ALAN L AND CLAUDIA M
1420-B CONCORD AVE
APPUAAnDN USDA
09%s172002
1 PHONE
•(925)689-8558
SANITARY NO. CONTROL NO.
ARCHITEC (ENGINEER:
BUILDING PERMIT INFO
BLDG ELECT PLUMB MECH
LJ f__I L_I L_>
LICENSED CONTRACTORS DECLARATION
1 hereby affirm that I ah licensed under provisions of Chapter9 (commencing
with Saaion Sof Ne Busrr�sand Frofesskes Code,Wmy lim.
Job Description
LL Q
[rS�NSTA'LL tDUe?2 & A / C P
WcfDiAsion
m full J
Imnsa .", d; 7 Z
D� `mBAn N
CHITECTSD
MAY 0 1 2002
1 ude,med my Plans shall be usaa u public records
BUILDING
LeerssaA PmfCsslanol '
OWNER -BUILDER DECLARATION
1 hereby efforts Nn in 1 scorral from he Convector's Um. law for the
following won. (Section 7031.5, Businessad Professions Cade: Any city or county
which q.i. • permit to construct, olid, improve. demolish, or reek any structure
$16000
ptiam in usvmx:a also ,gain the appixmt for such permit an filea signed stork.
that lie sliimrdkd purmpmm0,e pioAsomcftne ConuscrNr L,eme Lt. (Chapter. 9
(commenpig
_
y �•1,. rA,s,� _ .
3`7.W
with Sm4on7000)ofDi.ision Sof Ne Business and Pmfessioro Cade)
aJunhe uexam themin Nessusfar deaIle ed acro o.An
Y �pdo' yviolmion
0�'.YY�rl9 iY`•a,'-': Valuation
"• r
ofgationTOJI3� appliand
by anydreddo forapermit wbjecerNeapplinntmernil penalty
,.arnot martdem BwM1unercaa.an(ss00)'
204APNTXV]DbRFLOOR F ...
E:i:r'�• ... Occupancy Type
❑Lu owner or ft pmpeny,amy employees with wa
— ROUGH PLUMBINgumeirsoerompenatim301
-wilPdo mrwork'W'ma x4ucturt'ia not dea onae.
Busiden end-Professloro Code: The Contractor's Lim. Law dos ora apply m an
.Acer of property W W Wilds or improves thence. and who does such work himself
3 0 3 - ROUGH M �Ys���ss - --'-" -
(TA Ct1Dn5
or through his own employees. provided mot such Improvements an not intended a
304 - ROUGH ELE�TRKCAL
:'dRcd for'We. If,'however. the WBCrng or unpmvemhv a sold width one "' of
year
' completion- she owner. W ildQ will hate the When of that he did Wilda
"_. __. .. - .,
....- 505-- FINAL ELECTRICAL,-.:-.-::•:-';:-------__..........---.__.-._...
------
.
proving not
improve far p.,p. or cola)
.. ..
507 - FINAL PLUMBING
-b i:vom&ordemw-M-.-m aiaSwciy—muttrng, w5nuan'dcon use, tons io
- -508 =' F3NAli MECHANICAL _._..---'-------..._.._..,
mrowct On, pmt (See. 31)44, Business nod P,ofessmro Cade:) The Comrstur's
Iia ¢ Law don 1)a apply to an avis of property wW Wilds or;mproms charm,.
514 — FINAL PUBLIC WORKS.: • .,• •• .. .. • •.
... • .' .
-and.whn_mntncts (a such.pmjecer with a conuncta(s) licensed pursuant.m. the,
Cmvactafs License law.....
...____._._.._-..._.-.._—.-..
❑lam exempt motor See. .' .' B A P C for this rease
..., s,. _� ...
oww, �.. '. .. 'Dote .. :: :.. ... .. :. ..
WORKER'S COMPENSATION DECLARATION
1 hereby affirm under penalty of perjury cra a the fallowing dmLuatior.
° 1 Woe and will maintain it Ten;fic.. of Comm Yo se f.inaun in Wakes
Compensation, as Political for by Section 3700 of to Labor Cade, for do,
Perfonnsom or the work rot which this pem�it I, issued.
° I isin ties will m.!main Worker's Compcnistme Insurance, as,quina by Section
J700 of she labor'Cksa; foi the performance of the work fa which this permit is
i stood. My Worker's C pensasi'n Insumaec er ad PolAscy nurmbe(ue/'
ERnE%EMPIION FROM WORKERS''
r • ` n
COMPENSATION INSURANCE:'"'"
(Thrs seal.. Md ho he umpim:d if the permit is for one hudrtd dolim
- — --
151001
cm ty mos n the pert. - ce of ch vork rot wh ch Nn permit is hosed. l
scull not employ any percent, in any man m as to become
. ..•• .. _...... , . , -- •... „ ... _. _ _
I:. , t, • I. r .:. :, .._
rubies, In the W hon
C-unikrickon Laws -fCalif.ruhs. Dam
: ,. 1 ..
ADPL ant'
_.. _ ..
-
'
NOTICETOAPPLICANT If after maki.,chsCmfms fEumpuon. You should
become subject to the Workses Compersidiong of the Labor Code,
you ust
fohh ith comply with such pm cot or this permit shall tho doomed rewaked.
LENDING AGENCY
fwhich this them ti a counted.I d ng g w)' res she prfammati
ofde Ark or which conpermit a¢wd (Sm. 707, Csv. C.)Le
-i....CONSTRUCTION
dersN s ._
_.. ... .. .. ..... .....
'IadersAdrcie ..
on .rid same thin the above m(omuuon is
1 emfy chin 1 hate mod con sty
ce sung
W Wilding
W bulla 1 agree to comply with all .m end county oNinun ,. ed mos laws ....
and hertbY amhaixe rcprcscmrtives ofthis city m enar upon
emi.ed pr i n puryrun.
che uboIWO to property
strum indemnify
m fy and l
(We)agree co save; indemnify and whi hmmless she City of Cupertino st said
liabilities.it.m jdgmems, costs ad expenw which may, in any way emue against said
of th1. raming of this permit -
Airy in AN'T
UST.CT[DTB$TANDSA.'DWILL.CO.NPLYWITHALLNON-
^11 LND IAT
R
Issued.
I/
y Date
Re -roofs
aigway.tApplrtantlCon�acmr .. '. - . ,.. .. -Dam
.: HAZARDOUS MATERIALS DISCLOSURE
"I ma appiicam or Tum Wording arts arae ser heti haxwcdaus mmcnal
u defload by me Cupcnum M rasped fh pts 9 It and tlse Health and Satery
Type Of Roof -
-
°Yet °
Wdthe
All roofs shall be inspected prior to.any roofing material being installed
applicant i ra Wddin mean, rose eq ,pmant Or devices mmah
emnhax6mousaireonmminvntssadef dby the Bay Area Air Quality Matugamem
_
H'a roof is installed without fust obtaining - -
aninspection Iagree t0 remove
District?
❑ Ya n '..
all new, materials for inspection. Applicant understands and will pomply with...
cell',., -point source regulations
1 haven int dm AuaMons mmerials requircmcnrs under Chapter the
Celdomil Health d: Safety Coda Sections 25505 this]
.
'
'
and spoor 1 un no nodi that
erna d
;feeentOfthe
mnotify
Nvaast
thinitis my nuance
"//r
oumirsweeney
he of. or
peeoccpant of the rtgmimmenss which must be met prior m issuance 1)(s CcniBcae of
\(� // �1'^L> (O-ii� y
Signature of Applicant. , e
All roof coverings to be Class x'B'• or better
ow ar.mth°^ a'gem ` Date
Able Roofing
M.
6908-A Sierra Ct. Dublin CA 94568
Approximate Duct placement diagram
I I I
flat roof
I
All ducting will be under the new roof. Roof surface
will be insulated 4' prior to roof installation & the
finished R -value will be R-30. The existing roof that
was removed weighed approx. 500 lbs, per square &
the combined weight of the new ducting and roof
system will be approx. 150 lbs. per square. The
curbs will be raised with 2' x 2" lumber prior to
installation of the new foam stop edge metal.
(The slope of the roof will remain the same & the new
A/C system will be invisible from the street or even
from the roof)
1
flat
• 2:12
]HI
IN ACCORDANC�WfTHE CM OF
UUPERTINO COD A D ORDINANCES
Fhjs spt of plansa rspalyfgl to make any (Kni as orailu it is un
alteration
SAMA u fti • .r tten permission from
ne ounm[wg Dept., Ci�y of Cupertino.
he stamping of this plan ; nd specifications
SHgLL NOT be held t� pe mit or to be ar,
I approval of the violati n o
MT HA
any City Ordinance for S ate j AWrovisiom
2:12 6itched area
I I
I I
I g�ti���d��' (nl�lsttn
A"I R f'
e oo ing
6908-A Sierra Ct. Dublin CA 94568
•
New pre -primed foam stop edge metal with 3/4" rise
White Calcium Carbonate Granules
Top Coat of Acrylic Coating
Base Coat of Acrylic
New Polyurethane Foam
•
1
Wf(925)560-1540
ax (925) 560-1544
Raise curbs with new 2" x2" lumber
Existing roof or sheeting
able-roofing.com
Existing Facia board
S.C.L.#739624
Able Roofing7m Lic. 9739624
The Leading Eichler Roofer in the Bay Area
The Eichler Specialists"
• Save 30%-50%
on heating/cooling
*Seals All Leaks
reduces ponding problems
• 10 Year Warranty
transferable anytime
• Energy Rebates
get money back on your roof
www.dure-roonng.com
Q
0
This Time Let Your Imagination Soar...
Corr CTER
C. ine
Renew Your Eichler's
1 Kitchen & Bath with
l�
` the Sleek, Clean Look
from Canyon Creek
...Let Gilman Show You How
Kitchen & Bath Cabinetry
Countertops - Design Services
Online at www.GilmenScreens-Kitchens.com
Foster City
Mountain View
In
2039 W. EI Camino Real
maaW C�7
650-691-6850
Q
0
This Time Let Your Imagination Soar...
Corr CTER
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Ike that stirred Eichler's soul
Continued from page 4
Hubert Humphrey and California Gover-
nor Edmund Brown participated. With a
framed photograph of Kahn's image of the
boys in hand, Eichler reached out to the
vice president and, according to the
program's
transcripts, my
gestured:
"May I
hand you
Yh
this picture,
as I think it
will be of
particular in-
terest to you
as one of the
early and t
foremost
leaders in
the battle for arzeA&aEK.hi Mm
equal oppor- Equality. Kahn in the 1970s. His
tunity for all message hit home with Eichler.
Americans."
"While I consider this building a great
accomplishment," Eichler continued, " the
spirit expressed in this picture means a
great deal more to me since it is a most
eloquent expression of the philosophy of
my organization, Eichler Homes."
After much searching, we eventually
uncovered a copy of Albert Kahn's distin-
guished photograph. Finding the final piece
of the puzzle was most satisfying.
In appreciation of local Wright
disciple Mogens Mogensen
ver won about the the other pio-
neers, Mike Joe Eichler, who
Q sus s building modern -de-
signed neighborhoods in the Bay Area?
Hcr&s a story about one of them. o
Two years ago, I received an e-mail
from Jeff HaAikwho lives with his wife
Suzanne, noWn Eichler but in some-
thing modernTeff called a "Mogensen."
Haas described his home as quite similar
to an Eichler, with a flat roof, open -beam
ceiling, radiant heat, and so forth.
When Haas told me about his home, l
had to have a look. And that's when I
found several others just Tike his. These
"Mogeys," as their owners affectionately
call them, are part of a neighborhood of
12. They're nestled in a pocket in the hills
of San Mateo, above Skyline Terrace, not
far from Hillsdale mall.
The Mogeys in San Mateo are all T-
shaped designs. The kitchen -dining area,
utility room, and carport (or garage) oc-
cupy the front of a flat-topped front -to -
back wing. The bedrooms are in the back,
with a hallway in between. The living
room wing, actually' the stem of the 'T,'
runs right to left.
In the Haas' home, the high end of the
living room wing's shed roof penetrates
the clerestory windows of the adjacent
wing, in front of the bedroom. These in-
terpenetrating roof planes create a com-
plex geometry of three clerestories angled
in two different directions.
Wisteria tangles about many of these
homes, like cords of wooden lava, acting
as an organic counterpoint to the struc-
tures' angular geometries.
John Shields lives with his wife and
two kids in an almost -identical Mogey
around the corner. John confessed that his
family actually had to find a use for the
living room wing. Even at parties, people
hung out exclusively in the kitchen area.
1 had to laugh, for the living room
wing is easily the counterpart of the
Eichleratrium, but here the glass on both
front and back extends to the edge of the
wing. A Mondrian -like framing of wood
tessellates the glass. For me, this living
EICHLER HOUSE DOCTOR
Continued from page 6
with a light-colored wash, and the beams
were painted white, or a dark color like
charcoal, deep brown, or dark green. This
produced a pleasing contrast and empha-
sized the presence of the beams running
through the structure.
Over the years, some homeowners
have painted ceilings and beams white.
This causes the beams to recede visually
and lose the impact of the original design.
In such cases, don't hesitate to con-
sider restoring the beams to their origi-
nal glory with a contrasting coat of suit-
ably colored dark or light paint. It's amaz-
ing how a striking color contrast between
beams and ceiling adds interest to the in-
terior of the house.
Perhaps the ultimate step towards a
bold, new look is to strip the paint from
bilious remodeling project when he stripped the inte-
rior beams of his Eichler. Results (left) were stunning.
the beats and expose the wood, leaving it
`au naturel.' In many cases, the Eichler's
Douglas fir beams had a strikingly hand-
some grain; however, how good your
grain will look won't be known until the
paint actually has been removed.
Architect K.C. Marcinik sandblasted
the roof peak beam in her Palo Alto Eich-
David Bohannan.
It took John Shields to point me in the
right direction. Doing some research for his
own home remodel, Shields tracked down
Mogey's son, Tom. Shields pointed out an
address on his Mogey's architectural plans:
the location of Midglen Studios. Now, I
thought, we were on to something.
Architect Bill Patrick of Midglen Studios
is a Taliesin fellow, having apprenticed with
Frank Lloyd Wright. Visiting Patrick's home -
studio in the Woodside hills recently to re-
search Mogensen, I almost lost track of my
intended focus.
Imagine a home with every amazing fea-
ture unique to both Wright and Eichler homes,
in one small structure. Split-level interior, re-
strained use of the famous Wright texture
blocks, warm wood, and light -diffusing sof-
fits. A staircase wraps around a small inter-
nal atrium, bringing light to a sleeping fern.
The house is nestled between two small
hills, and only its butterfly roof allows any
sky to be seen directly from inside. The plate
glass windows are canted to echo the hill-
sides — a Bill Patrick touch, I discovered —
and meet, glass on glass, at the corners. Bam-
(top). Singer Bing Crosby, Belmont mayor Wallace
Benson, and Mogens Mogensen, circa 1965 (above).
boo permeates the hills, and seems to
complement the Shoji -style window shades
inside. I could barely concentrate on my
Mogey exploration; I was so intent on ab-
sorbing the space.
Patrick's apprenticeship with Frank Lloyd
Wright began in 1948. Bill had read about
Wright in Japan, when he was in the U.S.
Army. Later, Bill and three other Wright ap-
prentices started Midglen Studios, on an
"unbuildable" lot. In true Taliesin style they
built almost everything by hand. When Bill
bought out his partners, his practice began.
Mogensen entered the picture in 1953,
when he leased Midglen from Bill Patrick for
three years. During that time, Bill was in Ja-
pan, where he married Kinuko, his wife to
this day. It was at Midglen, from 1953 to
1956, that Mogey designed his San Mateo
neighborhood. Mogey wanted to buy the stu-
dio, but he and Bill just couldn't come to
terms. Today Bill remains glad. "1 got to stay
here!" he exclaimed cheerfully.
Was this a parallel to Eichler's Bazett
ler, leaving a rough, unfinished texture.
A different approach to beam expo-
sure, and one involving considerable ef-
fort, is achieved with chemical paint
strippers, extensive sanding, and treat-
ment with a stain and sealer. This can
produce stunning results, as Raymond
Paquin has demonstrated in his San
Mateo Highlands home.
To learn how Paquin completed his
ambitious project, follow his step-by-step
procedure on the online version of this
House Doctor' feature on Eichler Net-
work Online: www.cichlernetwork.com.
Publisher & Director: Marl),Arbunich
E-mail.: publisher@eichlernetwork.com
MarketingCoordinator: Chris Marcoccin
E-mail: cjrnarcoccio@prodigy.net
The Eichler Network newsletter ispublished quar-
terly in regional editions during January, April.
July, and Octoberby the Eichler Network, P.O. Bar
22635, San Francisco, CA 94122. Available by
subscription at $12,for calendar year 2002, $3.00
each back issue. Copyright 02002 Eichler Net-
work. The Eichler Network is not responsible for
the quality, .scope, pricing, or any other aspect of
the services and/or goods obtained from the par-
ticipating service companies. Although it is be.
lieved that these companies are reparable based on
current information, we s'trongle encourage you
also to carefully evaluate and screen all service and
goods providers Tlrua participating service cornpa-
hies pay a fee to advertise and become part of the
Eichler Network referral network. Performance
review... horse irraproveaaeni coecertis, and publica-
tion inquiries arc welcome. Phone. 415-668-0954.
house story? And did the Midglen resi-
dence actually inspire Mogens Mogen -
sen to design his neighborhood?
Tom Mogensen had the answer. Tom,
now 52 and a successful Ba
Area
rea mu-
ralist, spent his first three y f life at
Midglen. Tom asserts that glen was
"not the source of his -dad's love of niod-
ernism; it was Mogens' o mdina-
vian background. ArchitectuuWarently
was not Mogens Mogensen's first career
choice. In World War II, while in Copen-
hagen, he was an animator; in fact, the
lead artist of a feature length film of Hans
Christian Anderson's Tin Soldier.
When Mogens moved to California to
investigate working for Disney studios, the
transition didn't pan out, and he moved on
to architecture, working for Wurster, Ber-
nardi & Emmons (brother of the Eichler
architect Frederick Emmons) in San Fran-
cisco, and soon afterwards with developer
Bohannan beginning in 1949.
Under Bohannan, Mogey contributed
to the design of the Hillsdale mall, but
little of his contribution has survived, with
one exception: Mogey's inclusion of some
works by renowned sculptor Beniamino
"Benny" Butane.
After Mogey completed the San
Mateo neighborhood, Bill Patrick came
into the picture again, as Mogey's assis-
tant from 1959 to 1966.
One of their many joint creations is
the Skyline Terrace apartments in Bur-
lingame. This collection of cantilevered,
glowing, corner -windowed cubes practi-
cally exudes "space age," in a soft way.
The two also designed a great, multi -story
arrowhead -shaped apartment complex at
55 EI Camino Real.
Until his death in 1997, Mogens
Mogensen developed three residential
neighborhoods in'all (the others were in
Santa Clara and Menlo Park) and more
than 3,000 apartment units. As the story
goes, he actually preferred vertical de-
signs, to protect the existing trees.
"1'm trained as an archeologist," Tont
Mogensen told me, referring to the volu-
minous collection of drawings his dad
produced. "And I don't want people to
forget my dad."
Not if I have anything to say about it.
Close encounters: "The Joe Eichler I knew11
Continued from front page
"Do you live in an Eichler now?"
"No, sir."
"Then how do you know about living
in this kind of house?"
"I have friends who live in Eichlers."
"Visiting an Eichler is not like living
in an Eichler."
"But...
Having apparently made it past the
starting gate, my husband and 1 soon found
ourselves inside Joe's Burlingame office,
where four photographs on his walls re-
vealed much about the man. One wall ex-
pressed his political affiliations: a photo-
graph of Joe shaking hands with Hubert
Humphrey, one with Congressman Don
Edwards, and another with President Jack
Kennedy. Each was inscribed with a
lengthy, personal note.
But my favorite was the largest photo-
graph, the only one on a wall all to itself:
two young boys, one Asian -Caucasian and
the other African-American, arms around
each other, walking home from school
through an Eichler neighborhood.
We signed the papers for our Greenwood
Two Eichler in late 1972 in that office, and
celebrated with a bottle of champagne we
brought along. That meeting began a year
of phone calls, letter writing, office visits,
chit-chat, and even arguments and tears.
Before Christmas of 1972, while our
new home was under construction, several
of my neighbors -to -be and 1 invited Mr.
Eichler out to lunch. He seemed flattered.
And why not? How often do four custom-
ers, admiring and attractive (his appraisal)
women in their mid-30s, take a septuage-
narian out, treat him to a drink and a good
meal and urge him to talk about himself?
Over lu•Mr. Eichler told us how it
L4!46
nico air conditioni
becomes necessary. "And you can also use
Unico System heat as a supplemental
source of home heating," he said, "on those
days when firing up the radiant floor sys-
tem would take too long and be inefficient
for simply taking the chill out of the air."
What's the most challenging aspect of
installing one of these low -profile rooftop
designs into an Eichler? According to Mark
Smith, who has operated JMT Mechanical,
one of Unico's Eichler program partipants,
since 1994, he feels "it's probably laying
out the metal duct work on the roof. All the
pieces,just like a puzzle, have to fit together.
Plus, in some cases, you're working with
the pitch of the roof, so all your angles and
offsets have to be pretty accurate."
Since a typical Unico installation may
require 22 to 30 small, two-inch penetra-
tions through the roof, Smith looks to the
foam -roof blanket, which entirely encases
the ductwork, as a most important element
in sealing the penetrations and materials
and maintaining a waterproof membrane.
"You just can't install this type of sys-
tem in an Eichler without a foam roof," he
admitted, "because the ducts can not be ex-
posed to the outdoor elements. Plus, the
foam roof adds an R -30 -plus insulation
value to the roof. Which, in itself, will help
homeowners with energy costs, and keep
the ducts cool." For the program, Able
Roofing is the principal foam applicator.
In addition to JMT Mechanical, which
serves both the East Bay (925-363-9940)
and the San Mateo area (888-443-4328),
Unico System presently has a network of
three other HVAC contractors focusing on
Eichler installations throughout the Bay
Area: Downing Heating and Air Condition-
ing, Inc. (415-485-1011) for Marin and San
Francisco; Bay Area Plumbing and Heat-
ing (650-323-6006) for Palo Alto; and Los
Gatos Aire, Inc. (408-399-5191) for the
Sunnyvale to San Jose region.
all began. He recounted the story of the
Bazett house, "the rather lovely Frank Lloyd
Wright home" which he rented in Hillsbor-
ough during World War II. "That house was
a marvel," he told us. "I looked forward to
coming home to its openness and its out-
door living. I liked its shape, its simplicity,
For some of us, our purchase would
become our dream home — a customized.
Eichler near the Palo Alto Community
Center. So most of us requested changes,
many changes. But having 30 strong-
willed fledgling homeowners begging,
pleading, demanding something extra was
not easy on the builder and his architects.
In fact, we wondered how Mr. Eichler
had survived such demanding customers.
After much grumbling, he either agreed or
Th
.....,,..„.„o.
e `household word' himself. When Carolyn Caddes signed the purchase papers for her Palo Eichler
in 1972, champagne was in order. Above: Joe and Carolyn celebrate the moment in Mr. Eichler's Bur-
lingame office. Below. 30 years later, Carolyn Caddes in front of her Greenwood development Eichler.
and the cleanness ore its lines, its total felb
ing.” His stories continued to unravel.
That meeting was ajoy, a chance to ex-
perience Mr. Eichler's gentle side. But soon
after that I discovered Joe's abrasiveness
for the first time. Responding to a not
Aft
had sent him expressing concern about
overflow of concrete in our atrium
flowerbeds, Mr. Eichler called on the tele-
phone. "Mrs. Caddes," he said, "I got your
last letter, and waited a few days to answer.
I didn't want to use harsh words with you.
But let me tell you a little aphorism that I
learned from my mother-in-law: `Never
show a fool work half done."'
Ilaughed nervously and asked him if
he was implying I was a fool. He denied
it. "No. Just think about it, though," he
answered. "You don't know what all goes
into the building of a house, stage by stage.
That atrium has just been poured. We'll
take care of the extra concrete later. Don't
worry about it. Your flowers will grow."
After hanging up, l knew very well that
I hadjust been called a fool, but the sting
was tempered by the `not -wanting -to -
speak -harsh -words' stuff. And also be-
cause he was right.
And how well I knew that Joe Eichler
could use harsh words. I had heard stories
about how he had made women customers
cry, and men furious. At such times he was
described as a curmudgeon, or even worse.
That image was enhanced by his voice,
which a friend described as "pure gravel."
The harshest words — and the one com-
ment I dreaded most, but never heard — from
Joe Eichler were, "You don't understand an
Eichler. You shouldn't buy one." That was
the ultimate insult, I thought, and it usually
came when a buyer was making the kinds
of changes that would cause the house to
become more conventional than Joe liked.
In all fairness, the people who pur-
chased Eichlers in Greenwood One and
Two nearly drove Joe Eichler mad. We
were all eager to own one of his new houses
in that neighborhood, even before final
blueprints had been drawn. (After my
phone `interview' with him, I had gone as
far as sending him a telegram to convince
him I would be a good Eichler resident.)
.7
disagreed; and if Mr. Eichler made
changes, he charged for them.
And in the end, we did get our Eichler
dream home. On New Year's eve 1973, with-
out heat or electricity, sidewalks or plumb-
ing, we moved into our new Eichler, in the
rain. The smell of that new home was more
glorious to me than the smell of a new car!
Joe Eichler dropped by several times
during the six months that followed, espe-
cially after I told him about a trade I had
arranged with landscape designer Thomas
Church — my photography for Tommy's
garden design. (I think that gave us a little
more cachet with Joe.)
When Mr. Eichler visited our home on
his 74th birthday, in June of 1974, he even
paid us a high compliment. "I allowed all
those changes you wanted only because
Claude [Oakland and Kinji Imada, our
home's architects] and I agreed they didn't
demean the style," he pointed out. "In fact,
I'll admit, they enhanced the beauty of your
Eichler. You have good taste."
From that moment on, I understood the
man a little better. To him, a person with
good taste was one who agreed with him!
Naturally.
Customers were not mere statistics to Joe
Eichler. When reminded of people who had
purchased his homes a decade before, he
would respond with comments like, "Yes!
They had two children. Three cherry trees
out back. Pretty blonde wife. Nice family."
Perhaps this personal feeling for people
who lived in his homes explained Joe
Eichler's zest for his work. Mr. Eichler's
secretaries had told me that throughout his
career he worked long hours, even on Sat-
urdays, and seldom took time for vacations.
But Mr. Eichler always seemed to make
time for his people. As I observed first hand
while my home was being built, he took
great pride in maintaining relationships
with his staff and workers. Even though
everyone he knew did not embrace him
warmly, this irascible man surrounded him-
self with gentle people and made life-long
relationships with them.
By comparison, our acquaintance was
brief, but it impressed me deeply. During
that two-year span in lowly 1970s, my
feelings for Mr. Eichle ngedfrom awe
and intimidation to a blend of admiration
and nervous affection. He had become
much more than a household word.
The unfortunate real' is that even the
best things in life chatmonth after
his 74th birthday visit,Clr. Eichler died
unexpectedly; and our sad goodbyes filled
his memorial service at Roller-Hapgood
Funeral Home in Palo Alto. In the years
that followed, our children grew up, and I
pursued a photography career, got di-
vorced, and later remarried.
But I never seriously considered sell-
ing my beloved Eichler home. Today I rent
it to a charming family of four, and I'm
confident that they understand and appre-
ciate what living in an Eichler is all about.
Just as I do.
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Historic Quest's Palo Alto
applications move forward,
two others in holding pattern
he continuing efforts of the Eichler
`Historic Quest' committee to place a
number of Eichler homes on the Na-
tional Register of Historic Places is well
into its second year of activity, with the
committee's determined members pres-
ently putting final details in place to en-
sure successful nominations.
"When we first met as a group in Feb-
ruary 2001, the committee's problem was
that we didn't know what we didn't know!"
emphasized Barry Brisco, Historic Quest
committee co-chair. "A National Register
application is required to be researched and
documented in very specific ways, and
we're finally getting a handle on exactly
what is needed to get the properties listed.
We've been told that it's normal for nomi-
nations to go through multiple revisions
and take more than a year to complete."
Following consultation with and the
recommendations of the State Historic
Preservation Office (SHPO), which facili-
tates National Register applications at a
state level, the committee recently scaled
back its number of nominations from six
to four. That decision evolved when the
Historic Quest committee learned that both
the Terra Linda (built 1954-'56 in San
Rafael) and Rancho San Miguel (1956-'59,
Walnut Creek) subdivisions were not close
enough to the 50 -year mark to successfully
qualify 1'or consideration.
"The National Register will accept
properties that are younger than 50 years
old if they are exceptionally significant,"
Brisco said, "but SHPO has determined
that those two developments did not rise
W that level of significance.
"Swe put the Terra Linda and
Rancho San Miguel nominations on hold_
for now'will consider going back to
them ure date when they are closer
to the 50 -year mark."
Still in process are the nominations for
two Palo Alto developments, Green Gables
(1950) and Greenmeadow (1954-'55), as
well as Joe Eichler's personal residence of
Atherton (1952) and the X-100 steel house
in the San Mateo Highlands (1956). The
committee has decided to focus on getting
the two Palo Alto subdivisions listed first.
The National Register of Historic
Places is the nation's pre-eminent listing
of historically significant structures and
districts. Being listed does not impose any
restrictions on modifications homeowners
can make to their property, since it is a sym-
bolic recognition of historic value.
These Eichler candidates have been
nominated for their architectural signifi-
cance in the context of mid-century mod-
ern style. Designed by architects such as
Bob Anshen and A. Quincy Jones, who went
on to achieve international recognition, the
nearly 11,000 homes that Eichler built be-
tween 1950 and 1974 have gained increas-
ing recognition for their architectural merit.
In addition, Eichlers are sought after by
discerning buyers who specifically seek out
examples that have remained true to the
Los Angeles bid to preserve Jones & Emmons' Palo Alto center
Continued froin page 2 A h'f f' S C If; f E' hl ' 1 h
The Edgewood's design is very
much about scale and scope as well as
being architecturally appropriate to the
adjacent Eichler developments. As the
only commercial development planned
and built by Eichler, the Edgewood is
commonly considered a natural exten-
sion of the Eichler aesthetic and
lifestyle. "Planned and developed as
part of an Eichler subdivision, the
Edgewood is a rare example of this type
of integration," Biondo said.
Like residential modern, the Edge -
wood's elegant lines and open plan
have held up well, even as its finishes
have faded and its corners have become
scratched and dented. Admittedly the
center has not been well maintained.
The Edgewood also has had its share
of crime, which presumably has attrib-
uted to some terming it "blighted." In
her laundry list identifying the undesir-
able aspects of the center, Susan Arpan,
the City of Palo Alto's Redevelopment
Project Manager, emphasized "dark al-
leys and double loading"
While the Edgewood's label of
blight is reportedly a key factor for the
City of Palo Alto to qualify for rede-
velopment funds, the center's true con-
dition can be debated. Nonetheless the
Edgewood appears to be thriving. Cer-
tainly not upscale, the center is home
to a diverse and eclectic mix of inde-
pendent businesses, from African City
Alive to Albertson's supermarket to the
Majarishi Vedic School of Meditation
and the House of Wigs shop.
As the gatekeeper between osh
Palo Alto and working-class Ea`?
Alto, the Edgewood draws patro . uu
are a diverse mix of cultures and.income
levels. "Blacks, Latinos, Asians, iinmi'
grants are the ones who have stor rc
and who shop here," said shop
Peter Evans, "and they won't be able
to if redevelopment comes."
Notwithstanding the rarity of an
intact postwar shopping center, let
alone one integrated into the develop-
ment like this one, and created by a sig-
nificant architect and builder, there
seems to be little awareness of the
Edgewood's impending demise in the
Eichler homeowner and general his-
toric -preservation communities. "This
is the rule about tearing down historic
buildings: the building going up has to
builder's original design and style.
"In the past two years, both of my new
neighbors bought their homes because they
were Eichlers that hadn't been remodeled,
and now they're working hard to restore
them to their original look," Brisco said.
"It's becoming clear that keeping the
Eichler style adds to the value of the house."
The Historic Quest committee, Brisco
indicated, hopes that by getting Eichlers
listed on the National Register, more people
will become aware of their significance.
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rc i ec s o a ies raise concern Ul iU Ul s on y s Upping p aza
Me
Long -distant advocacy. The LosAngelesConservtmey'sAdrierte8iondo
(above) at the endangered Edgewood. Two of its main buildings are the
Albertson's market (top left) and the former Eichler offices (below left).
be better than
,wW.mdw w the one com-
ing down," pointed out Alan Hess, archi-
tecture critic for the San Jose Mercury
News. "The history, depth, and diversity
of Palo Alto," Hess added, "is reduced
when we lose this center."
While change is inevitable and a pre-
requisite for progress, even the Edge -
wood's preliminary Environmental Impact
Report offers a valid argument for celebrat-
ing historical resources and fully apprais-
ing the value of the Edgewood. .
"Given the recognized significance of
Eichler in the history of residential devel-
opment in California," the Historic Archi-
tecture Assessment portion of the EIR
points out, "it appears as though sufficient
time has passed to conclude that Edgewood
Plaza and the adjacent Eidhler office build-
ing are eligible for the California Register.
The shopping center appears to be signifi-
cant as the only retail center designed for
an Eichler development, and it also reflects
his interest in integrating community -re-
lated buildings into his residential projects."
The FIR also questioned the anticipated
high impact of new construction on trans-
portation, which, according to the report,
"currently operates below the City of Palo
Alto's acceptable level of service." No
resolution has yet been developed to
Author's American Dream'
Continued from page 3
lesser-known designers and builders have
periodically surfaced long enough to get
mentioned in the news, and then quickly
disappeared again. The potential for a sus-
tained production of well-designed, mass-
produced houses still remains unrealized.
Eichler's developments, notable for their
ingenuity and elegant design, remind us
that it is possible to surpass the status quo.
I was motivated to write Modernism
Rebuilds the American Dream to find the
reasons that, amid the expanding realm of
sprawl of unimaginative and unsatisfying
cheek -by -jowl tract home developments,
the Eichlers remain the rarest of exceptions.
Even today, despite the Eichlers' example
and those of numerous similar, although
smaller, efforts elsewhere, architects design
only ten percent of American housing.
The chapters in our book outline a
search for the answers to a number of ques-
tions surrounding this condition: Where did
the ideas behind these exceptionally well-
designed homes come from? Who was Joe
Eichler, and who were the people he found
achieve mitigation of traffic impacts.
"A thoughtful redevelopment plan
could include an adaptive reuse of some
of the Eichler buildings," offered the
Conservancy's Biondo, "something
that might include incentives to lure
back some of the unique shops that now
populate the center."
The City of Palo Alto, however, is
not known for its fondness for historic
preservation, nor for its appreciation of
modernism. In fact, its Historic Build-
ing Survey does ngftclU& any struc-
tures built after lfiere are two
ways to look at [Eichler as builder of
the center], and one is that he did it here
and it didn't work," said City of Palo
Alto's Susan Arpan. On the other hand,
she added, "We wedded to any
one [renewal] plarl� y'
According to the City of Palo Alto
timeline, the inevitable marriage of city
and plan will take place at ajoint pub-
lic hearing at 7pm on September 23.
Until then, supporters of Edgewood
preservation can reach Adriene Biondo
and her online petition by contacting
her at 818-360-5458, e-mail astroluxe@
mindspring.com. City of Palo Alto's
Susan Arpan can be reached at 650-
329-2604. The final EIR will soon be
available from the City Clerk's office.
to join him in his groundbreaking work?
How were these elegant homes built, and
how was their builder able to keep the
building process, atypical in almost every
respect, within the constraints of merchant -
builder costs? What was the effect of the
Eichlers on the housing market, and what
did their builder have to do to sell them to
a largely tradition -bound public? And fi-
nally, just how did Eichler's developments
make a lasting difference to American
middle-class residential life?
The legacy of Eichler Homes will likely
endure and grow in importance as the
largely unplanned suburban realm contin-
ues to be the residential context of choice
for the majority of families, not just in the
United States, but wherever middle-class
populations are expanding around the globe.
It is my hope — and that of my collabo-
rators, Marty Arbunich and Ernie Braun —
that Eichler: Modernism Rebuilds the
American Dream can inform and even in-
spire those who dare to imagine that ev-
eryday life, despite the pervasive pressures
of expanding costs and shrinking re-
sources, can be lived within an environ-
ment that is both practically manageable
and aesthetically enriching.
Network of BayArea HVAC contractors keyed on Eichlers
Team of installers sees low -profile Unico as
ideal fit for new rooftop air-conditioning plan
s a design -friendly approach to Eich-
ler home cooling, and an alternative
to conventional large and unsightly
rooftop ductwork, the concept of low -pro-
file, hidden rooftop air conditioning en-
capsulated by spray -on polyurethane foam
roofing was first introduced to the Eichler
neighborhoods a few years ago.
Since then, the benefits of trial and er-
ror and some key installation modifications
have improved both the integrity of this
specialized design as well as its perfor-
mance level. But perhaps the most signifi-
cant enhancement to the evolution of this
design type and its all-important stream-
line appearance has been the introduction
of Unico System, a manufacturer that
brings to the table both highly touted,
Eichler -ready mini -duct advantages and a
refreshing business attitude.
Marketing their Eichler air-conditioning
package as the Unico Cool -Heat Comfort
Combo, the St. Louis -based manufacturer
has for several years looked forward to fac-
ing the challenge of bringing a cooling so-
lution, as well as the expandability of a
supplemental heating source, to a house de-
sign, such as the Eichlers, not equipped with
convenient hideaway attic or crawl spaces.
Now that Unico has put in place their net-
work of regional installers, they appear ea-
ger to take the next step in the Bay Area.
"Unico wants to make sure not only that
their contractors are successful, but also that
the homeowners that purchase their system
are happy with ,x lh:" get," pointed out
Tim McKeown, t n California sales
manager for Unico7s regional distributor,
.Speciality -AC. "Unico_works closely with
their installers, and wants to ensure that
they are utilizing the• ntco product prop-
erly. That appro, , rantees Unico the
quality name the?i7.Woking to maintain.
"The communication lines to Unico are
so open that 1 can go right to the top of
Unico's staff any time I want. With most
other manufacturers, you're lucky if you
even know who the high-level people are."
McKeown, who is one of the Eichler
program's Unico quality controllers and
laison between the individual HVAC con-
tractors and the foam roofing applicators,
also likes how involved the manufacturer
is in the design process. Even though
Unico's plant and offices are located across
the country, he was quick to point out that
On beams: caring for the Eichler'bones'
Consider the Eichler beam: an
essential structural element that
also adds grace and beauty to the mid-
century modern design. One might
assume that beams need no care, and
that they should stay the same color
as the day they were first painted. Not
necessarily!
In fact, any exposed beam defi-
nitely needs periodic attention. If ne-
glected, a beam can eventually bring
forth a repair bill costing thousands of
dollars. When such cases are found,
they,usually suffer from conditions
that were simply left `out of sight, out
of mind': on the top surface of beams
exposed in the atrium and those ex-
tending beyond the eaves of the house.
Decades of weathering cause paint -
fairly quickly. What's more, the miniature
ducting is a perfect fit for retrofitting resi-
dences in which materials need to be com-
pletely hidden or at least small enough to
go unnoticed. Many homes designated as
`historic' have become ideal candidates. In
much the same way, claims Unico, the
Eichlers also have become a natural fit.
"The Unico System's compactness al-
lows for the inclusion of superior indoor
comfort that simply was not previously
possible for many homes without radically
altering, and ultimately destroying, their
original aesthetic designs," claimed Tom
Taylor, Unico's marketing coordinator.
That comfort, according to Taylor, ex-
tends to heating, a dual feature of the Unico
rooftop system which, for a minimal cost,
can be incorporated into the original instal-
lation and tied to the existing radiant -heat
boiler. With the Unico, Taylor pointed out,
the heating circulates from ceiling to floor,
warming the floor without creating drafts.
While Taylor does not encourage any-
one to replace a healthy radiant -heat sys-
tem, one of the joys of owning an Eichler
home, he does look to his product as a vi-
able and efficient substitute if abandonment
- Continued on nage 7
Mini -duct comfort. Mark Smith of JMT Mechanical
shows off one of his recent Eichler air-conditioning
installations. The low -profile Unico ductwork fans
outfrornthe main trunk line. Above ri I�u:Onthe same
roof,,'a foam blanket now seals in the exposed ducts.
they are still determined to stay hands-on
with the design of every job.
"What Unico does is take the drawings
our contractors furnish them and design a
duct systetq for each individual house that
works with the family's needs, their prod-
uct materials, and with their system's air
flow capabilities," said McKeown.__ - .
What usually draws new contractors to
Unico System initially is the company's
pre-engineered high-pressure, low -noise
duct -work, whose diameter measurements
(three -and -three-quarter inches outside,
two inches inside) are about one-eighth the
size of conventional ducting. "When you're
looking at a conventional system for the
kind of air flow that is needed in an Eichler
home, you find ducts somewhere between
18 and 22 inches in diameter," said
McKeown. "And it goes without saving,
it's very difficult to hide that on a rooftop.,,
On the other hand, the Unico duct-
work's unobtrusive presence and quiet
sound level, according to McKeown, win
over most contractors who take notice
to wear away, leaving the exposed wood
beam open to cracking and the insidious
effects of what is commonly called 'dry
rot.' Even though dry rot is a rather inac-
curate term for this condition — the prob-
lem doesn't occur in totally dry wood — it
causes various types of fungi to deterio-
rate the wood. These organisms cannot
exist if the moisture content of the wood
is below 20 percent.
Therefore, the way to control wood rot
is to prevent water from contacting the
surface of the wood. It is essential to regu-
larly inspect exposed beams and check to
make sure that the paint protecting them
has not lost its integrity.
When inspecting exposed beams for
rot, if soft crumbly areas are found, Ron
Key of Key Construction & Design in
Mountain View recommends probing the
beam to determine the degree of deterio-
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Bones' of the house. Accenting the Eichler's mas-
sive, exposed beams can add impact to the interior.
ration. If dry rot has affected more than
25 percent of the wood's total thickness,
Key recommends getting a qualified struc-
tural engineer to inspect the beam to de-
termine if it is structurally sound.
If the damage is superficial, he recom-
mends scraping out the damaged areas un-
til healthy wood is exposed. After mak-
ing sure the beam is thoroughly dry, patch
it with Bondo, and even cap the beam with
metal flashing. Key warns against using
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substances such as `exterior spackle.'
which won't last. At the very least,
Key says, keep the beam painted on a
regular basis.
A different problem sometimes ob-
served in beams is warping. This may
occur because the beam was cut from
wood very close to the heart of the tree,
or wasn't cured properly.
"I've never seen a beam warp to the
degree that it could result in a structural
problem," Key states. Additional good
news comes with knowing that Eichler
used top quality Douglas fir beams (the
wood grading system employed in the
`50s was more stringent than that used
today); and when properly cared for, his
beams should last indefinitely.
The Eichler architectural style ex-
posed the massive 410 -inch beams;
they are the 'bones' of the structure.
Consequently, their appearance has a
tremendous impact on the feel of the
interior spaces, particularly in the open-
plan living area of the house. Most
Eichler ceilings were originally treated
- Continued on nage 8
of few words – so there were no `pep
Touching image' of racial harmony that stirred Eichler's soul
clearly understood odbyeveryoneinv[he
company that the integration policy
overt company policy."
he picture was vividly clear: two Two boys, two races, one poignant photograph byAlbert E Kahn wasThese grounds for mutual apprecia-
Tyoung boys – one black, the other
Asian -Caucasian – their arms
around each other, strolling home from
school to their Eichler neighborhood
in Lucas Valley – in perfect harmony,
without a care in the world.
That was the image, alright. It was
this photograph, according to legend,
that moved builder Joe Eichler in a
profound way and, by his own admis-
sion, literally provided the sense of
purpose Eichler needed to rise each day
and pour the next slab of concrete, the
other foundation of his life's work.
After scores of interviews over the
years covering the origins of the Eich-
ler homes, we had become intimately
aware of that photograph, even haunted
by references to it; but had never actu-
ally laid eyes on it. Yet our wondering
persisted: how could such a simple, un-
assuming image of two small children
consume a grown man's soul? .
After a while pieces of the puzzle
began to come together. Each new an-
ecdote, it seemed, led to another. Even-
tually an internet search cleared a path
to the family of Albert E. Kahn – pho-
tographer, author, and nephew of Albert
Kahn the modernist industrial architect
– who died of a heart attack while driv-
ing his car at age 67 in 1979.
"That photograph was notacciden-
tal," Brian Kahn said firmly, recalling
his late father Albert, a self-proclaimed
"radical in the tradition of lack London"
and outspoken critic of the U.S. govern-
ment in the J&s McCarthy era. "The
two childreAWhe photo reflected my
father's view (if the only type of society
worthy of humanity_. it is a_statement
about an alternative world, one my fa-
ther believeld come."
It •'also Wo accident that Joe
Eichler and A7bert Kahn had crossed
paths. They apparently had much in
common. `9 have a vague recollection
that there was more to it than business,"
offered Brian Kahn. `9 remember my
dad telling me about Eichler – his re-
spect for what they were trying to do."
Presumably Joe Eichler initially had
become aware of Albert Kahn the book
author, who had become well known in
the 1940s for his anti -fascist best-sell-
ing exposes. After the war, Kahn con -
Alternative world. Albert Kahn's compelling photo-
graph of the two boys in Lucas Valley (above) was no
accident, reflecting Kahn's "view of the only type of
society worthy of humanity." ftly: Kahn in the
I956, during his so-called "un-American activities."
tinued to write and publish prolifically, but
turned his attentions to battling America's
new "cold war" politics, which for Kahn
conflicted with the Franklin Roosevelt poli-
cies he personally had supported.
Because of his outspoken criticism of
U.S. foreign and domestic policy, Kahn
became blacklisted in the 1950s, appeared
several times before committees investi-
gating his alleged un-American activities,
and as. reported in his obituary,. his pass-
port was revoked, phone tapped, mail
opened, and his movements closely moni-
tored by the FBI.
As a tenacious critic of government
deceptions, Kahn refused to give in. "As
far as I was concerned, I was acting in the
American tradition of Thomas Jefferson
and Thomas Paine and the framers of the
constitution," Kahn said in an interview
shortly before his death. "The idea of any
government telling me that I owe un-
equivocal allegiance to it is the most re-
pugnant thing on earth."
In 1955, Kahn struck back when he
self -published False Witness, which ex -
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Affinity for children. Kahn shot very few images for Eichler Homes. However, all of them were taken at
Lucas Valley and featured children (as above) enjoying everyday life in natural neighborhood settings.
tion set the stage for Kahn's meeting
with Eichler. In 1963, when Kahn cap-
tured the two boys on film, he and his
family were living in Glen Ellen, north
– — -- — L'
of Lucas Valley.
0'. , —
According to Carolyn Caddes, a
Palo Alto Eichler owner who, in the
early 1970s, was befriended by both Joe
` C
Eichler and Albert Kahn, when Eichler
c f�
saw Kahn's photograph for the first time
"he told Kahn that he was overjoyed."
t,
"Mr. Kahn said to me," Caddes con-
tinued, "`I don't mean to be boasting,
but how can I forget what [Eichler) said:
`That picture catches within [me] one
form – it sums up – what I believe in
and what I'm working for in life."'
It should come as no surprise that a
lar e framed copy of Kahn'sphoto-
graph became the centerpiece of
+IG tYn✓ 1 yK z : ".
Eichler's Palo Alto office, even taking
precedence over his two autographed
r a , �y •
pictures taken alongside President John
on�homa roune.,r A/0,n B Kuh, on 1,
Kennedy and Vice -President Hubert
Humphrey. In the mid-1960s, when
I}- posed the
Eichler moved company offices to San
" confessions
Francisco, and even years later to Bur -
of an FBI in-
lingame, Kahn's image stayed close
former who,
and prominent.
it was al-
One Christmas, Eichler featured the
,f leged, was a
photograph on the face of a holiday
paid govern-
card, which he mailed to every con -
m e n t wit-
gressman and senator. "You know, the
n e s s who
only one who acknowledged," Eichler
delivered
told Carolyn Caddes years later, "was
p e rj u to u s
Senator Eugene McCarthy's wife, and
testimony in
she sent me a very nice note."
the midst of
While marketing the Geneva Ter -
blacklisting
race development in San Fr codur-
operations.
ing the early 1960s, EicMWembla-
All of this turmoil, -however, -did have ,.•-zoned Kahn's photograph
on. billboards,,
an impact on Kahn's livelihood. When he
near his Visitacion ValleyJ&nhouse
an to experience difficulty finding a
development, and even meIr ated it
ling publisher to igsue his books, he
in display ads in San Francisco's ma -
turned to photography, out of necessity, to
jor newspapers.
support his family.
"Back then we were looking for a
"My father had a natural sense of com-
community that was forward -thinking,
position, and also a special affinity for chil-
liberal, and integated," recalled Char-
dren," remembered Brian Kahn. "His poli-
lene Avery, whose family eventually
tics were socialist, and he felt deeply that
bought one of the Terrace townhouses.
all children, as the hope of humanity, de-
"We loved Eichler's belief of integrated
served full and equal opportunity."
neighborhoods and wanted to show the
Kahn's beliefs also included a deep ap-
world, and our parents, that it could
preciation of racial equality, something Joe
work. A flyer with the two children was
Eichler adamantly pursued in his company
one of the selling tools that worked. It
policy. "Joe Eichler was blunt and straight-
tugged at our hearts."
forward about his feelings on integration,"
In December 1965, at the formal
asserted Catherine Munson. Eichler
ceremony for the twin high-rise Geneva
Homes' first female salesperson and long-
Towers project in San Francisco, both
time staffer. "Remember, Joe was a man
- Continued on Page8
Affinity for children. Kahn shot very few images for Eichler Homes. However, all of them were taken at
Lucas Valley and featured children (as above) enjoying everyday life in natural neighborhood settings.
Motivation for writing'Modernism Rebuilds the American Dream'
Author's fascination with Eichlers peaks with his `American Dream'
By Paul Adamson
For most of the past decade, I have
been consumed by a fascination
with the Eichler homes.
I first wrote about them in 1984,
when I was a graduate student of ar-
chitecture at Columbia University. I ar-
gued then that California's Eichlers
qualified as a modern vernacular: mod-
ern by social intent and aesthetic ex-
pression, and vernacular by their use
of local materials and methods and their
accommodation of regional traditions.
Ten years later, after returning to the
Bay Area, I was invited to speak at a
seminar in Seattle for the American In-
stitute of Architects. There, I presented
a paper on the Eichlers, suggesting that
this special group of homes had valu-
able lessons to teach modern designers.
The reception I received at that talk
was astonishingly enthusiastic. Several
curious attendees even asked if there
was a book available on the subject.
That experience convinced me to get
into to some serious research. Soon af-
terward I met Eichler Network publisher
Marty Arbunich, and we began to col-
laborate on a series of newsletter ar-
ticles, each intended as a piece of what
we hoped could be a comprehensive
study of Joe Eichler's extraordinary
legacy of affordable modern housing.
But my motivation for writing
Eichler: Modernism Rebuilds theAmer-
ican Dream actually began to form long
before lays at Columbia, while I
,was a cfW.-rowing up in the Bay Area.
I consider myself a product of the
`Amer ream.' My parents came
to the IWd States from England on
an extended visit in the mid-1950s. It
was easy for Britons to obtain green
card status during the early postwar, and
as many English people did during that
time, my father and mother came to
America to travel, work, and generally
escape the gloom of postwar Europe.
My parents were friends from
neighboring districts in London, and
they traveled together across Canada
and down the West Coast to the San
Francisco Bay Area, where they worked,
my mother in an architectural office and
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the Eichler subject for au-
thor and architect Paul
Adamson (right) and his col-
laborators. Looking back,
Adamson reflects on what
inspired him to take on such
an ambitious book project.
my father as an estimator
for a contracting firm.
In 1957, having stay-
ed a year longer than they
originally planned, they
returned to London and were married, but
immediately returned to California. My fa-
ther was convinced that he could build a
career in California. Had he stayed in Lon-
don, he felt his professional life would have
consisted of, as he put it, "waiting to fill
cationed in the deserts, Death Valley and
Palm Springs, because there was nothing
like that in England, and indulged in out-
door hobbies.
We also enjoyed our houses, first a tiny
two-bedroom hillside house in Marin
County, then a stretched -
out, ranch -style home in
the hills of Orinda, and fi-
nally a remodeled 1920s
craftsman bungalow in
Los Altos. Each one en-
abled the indoor -outdoor
living made famous by
shelter magazines of the
postwar period.
Regardless of their
personal satisfaction'with
their homes, however,
my parents embraced
`house hunting,' as did
many people we knew, as
a weekend recreation.
Driving around rhe.sub-
urban neighborhoods of
the Bay Area, we saw the eclectic variety
of homes for sale.
Occasionally our drives would be punc-
tuated with a sighting of a house that of-
fered distinctive qualities, and sometimes
my mother or father would call out,
"There's an Eichler!" To them the Eichler
homes epitomized California living.
More than that, however, the houses
built by Joe Eichler stood out from their
surroundings because they were well de-
Regional pleasures. Eager for the ride, little
Paul cruises with his dad at Big Sur circa 1960.
dead men's shoes." In San Francisco, he
became successful, and his faith that the
newness of California would support his
dreams of a better life never wavered.
I remember my parents enthusing about
the ambient pleasures of the region - the
clear, bright sunlight, warm temperatures,
and the abundant natural landscape. We va-
The Eichler Network launches its new online store
Erchler Network Online installed a new either, inside their respective departments
convenience feature on its existing or inside the the Eichler Network Store.
Web site (www.eichlernetwork.com) re- /Eichler Network Online also added sev-
cently when it created an easy -for -order-/ eral new items for sale to two of its Be-
ing Web store for everything Eichler -ori- partments. Now featured in the Modern
ented - from modern books, framed Book Nook is the highly recommended new
Eichler photography prints, and architec- hard cover book, simply entitled A. Quincy
tural plans to subscriptions and back is- Jones, on Eichler Homes architect A.
sues of Eichler Network publications. Quincy Jones by architect Cory Buckner.
The Eichler Network Store now also The store is also accepting pre -
accepts credit cards, making it easy to com- release orders, specially priced
plete secure online ordering in just seconds. through August, for the upcoming I •'i
Eichler Network Online also has added release on the Eichlers due this
separate departments for individual prod- fall, Eichler: Modernism Rebuilds
uct areas: Blueprint Depot for available ar- the American Dream, by architect-
chitectural plans; Modern Book Nook for historian Paul Adamson with
Eichler -related books; Ernie Braun's Eichler Network publisher Marty
Eichler Hall of
Frame for
framed photo-
graphs; and
Newsletter
Lowdown for c r "I `,`
Eichler Net- — 'r _ -
work publica-
tions. Items
may be ordered
signed, not beholden to a preconceived
image, and yet marked by a consis-
tency, purity, and elegance almost
unique amid the bland predictability of
ever -spreading middle-class tracts.
The idea that good design - and by
this I mean design as a holistic prac-
tice, notjust making things look a cer-
tain way - should be accessible to as
many people as possible was one of the
principle missions of the modern move-
ment. The industrial process made this
concept practical. The Bauhaus recog-
nized it, but although their influence
was profound, the actual output of
products resulting from their designs
was limited.
During the postwar period in
America, the potential for mass produc-
tion of consumer goods lent renewed
currency to the idea that well-designed
products might be made widely acces-
sible. America's premier industrial de-
signer of the period, Charles Eames, and
his wife and partner, Ray, understood
that modernity could democratize im-
provements in everyday life when they
declared that industrialization could
"get the most of the best to the greatest
number of people for the least."
A half century after Eames made
that statement, and 70 years after the
close of the Bauhaus, stores including
Ikea, Crate and Barrel, and the Pottery
Barn have realized the concept that
good design can be made widely ac-
cessible to people of moderate income.
However, the home itself, while also
mass produced at prices accessible to
middle-income consumers, has yet to
receive the serious attention of design-
ers. (Interestingly an architect was a
principle founder of Crate and Barrel.)
Modernist architeAlhave consis-
tently tinkered with daWs foe'mass-
produced houses, and there have been
some notable examples. -Walter
Gropius designed an all -steel house that
was built as staff qua at t4Bau-
haus. Le Corbusier alsWued that the
houses could be mass-produced, and he
built a number of abstractly austere
"houses for workers" that were in-
tended to look machine -made.
In the United States, Frank Lloyd
Wright introduced a systematized con-
struction method for middle-class
homes in the 1930s, and then designed
and built dozens of his so-called
Usonians for individual clients.
Since then, numerous efforts by
- Continued on nage 5
Arbunich and photographer Ernie Braun.
Also, Ernie Braun fans will delight in
discovering the five specially selected, new
16x20 -inch photographs recently added to
Ernie Braun's Eichler Hall of Frame. Each
print is a beauty, signed by Braun himself,
and handsomely framed. In all, eight
framed Braun prints are now available.
In the coming months, the Eichler Net-
work will also add several additional
Eichler architectural plans to the Blueprint
Depot by architect Claude Oakland.
Grand opening. The new A. Quincy Jones book (tap rote, left) and five new Ernie Braun prints kick off Eichler Network Online's new store.
Whew! What a
ride we have
had in the
Marin County
Eichler real es-
tate market this year. Unprecedented num-
bers of sales have occurred at record prices
during the first hall' of 2002. The demand
for Eichler homes has continued at a strong
pace ever since the Christmas holidays.
To what do we attribute this steady
demand for Eichlers? Several factors:
. I. An ever-increasing appreciation of
contemporary architecture as interpreted
in these fine homes.
2. The communities in which Eichler
homes occur provide an astonishing ar-
SCAVU" II
ray of community benefits — great
schools, excellent recreation facilities,
open space, natural beauty of the envi-
ronment, and a strong sense of commu-
nity involvement and loyalty on the part
of the residents.
3. The prices of Eichler homes in
Marin range from $550,000 to $900,000
for the most part. This price range is the
most active in the Marin market.
What do we see for the future? Pos-
sibly a gentle slowing, but nothing sig-
nificant. The future of an investment in
an Eichler home is certain to continue
its upward spiral since there is no possi-
bility of replacing these homes. No sig-
nificant tracts of land are available in
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Marin County to produce any kind of
housing — much less anything which
would rival these outstanding designs.
So enjoy your lovely Eichler home —
and maintain it with loving care. Keep it
in good condition and always preserve
it with good maintenance. If you need
guidance on maintenance, feel free to call
me. I can be reached at 415-883-0555
x19. It will be a pleasure to hear from
you. In the meantime, I sincerely hope
that you enjoy your summer.
Eleventh -hour effort to save
Edgewood shopping Center
Continued from front page
Committee. "The Edgewood was an early
shopping center prototype, a well -crafted
example of early suburban community plan-
ning, and the only design standing that rep-
resents Joseph Eichler's commercial work"
A volunteer group formed in 1984 in
response to the threat of destruction to post-
war structures, the Modem Committee has
amassed a respectable track record.
They've contributed to the preservation
of numerous significant Southern Califor-
modern buildings, including the LAX
eme Building, at the Los Angeles Inter-
Cinerama Dome, in Los Angeles, and the
11sest remaining McDonald's, in Downey.
ong other projects, members of the
Conservancy are currently working on a
historic nomination for the San Fernando
Valley Eichlers.
According to the Edgewood Redevel-
opment Project Draft Environmental Im-
pact Report, "the redevelopment project
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Endangered species.
"The Edgewood,"
says preservationist
Adriene Biondo of the
Los Angeles Modern
Committee, "was an
early shopping center
prototype, a well -
crafted example of
suburban community,
planning, and the
only design standing
that represents
Joseph Eichler's
commercial work."
proposes to revitalize the Edgewood Cen-
ter by demolishing the existing facilities
and replacing them with new retail devel-
opment and housing."
Albertson's supermarket reportedly
would be replaced with a new, 20,000 -
square -foot facility. The redevelopment plan
also includes a 4,000 -square -foot drug store
and up to 18,000 square feet of space for
small retail businesses. Between 38 and 49
residential units are also proposed.
Once the EIR is certified on Septem-
ber 23, the City of Palo Alto will move
forward with its adopted final plan, which
is still open to modification.
"9t is particularly ironic to imagine los-
ing the Edgewood when one considers that
the nearby Green Gables Eichler subdivi-
sion has a pending histori rict nomi-
nation with the National Iter of His-
toric Places in process,''_ Biondo pointed
out. "Also, putting a closet pier on the _.
Edgewood is not an app to way to �.
launch the publication of the important new-
bookjust released on its architect, the.pro-
lific Quincy Jones."
Biondo, who lives in an Eichler in
Southern California's Granada Hills, plans
to submit a formal recommendation to the
City Manager's office principally based on
the architectural merits of the Edgewood.
"9 want to present as many strong ref-
erences supporting the significance of the
architecture as 1 can," she said. "I have
built a pretty strong case, especially for the
preservation of Eichler's former office
building, which is part of the center."
At the height of his success in the mid-
1950s, Joe Eichler constructed the
Embarcadero Shopping Center. A four -
building complex that would come to be
known as the Edgewood, the center is lo-
cated adjacent to both the Edgewood and
Green Gables Eichler neighborhoods, at
the intersection of Embarcadero Road and
St. Francis Drive.
The center's quad originally included
a Lucky market, a Bank of America, a Shell
gas station, and by the late `50s, Eichler
Homes' office, which was company head-
quarters through 1964.
Built in the Eichler tradition with mod-
ern -style post -and -beam construction, the
Edgewood was designed by Jones and
Emmons, who were also responsible for
thousands of California Eichlers.
Jones is the subject of a new mono-
graph, A. Quincy Jones, released in May
by Phaidon Press. Its author, Cory Buck-
ner, while commenting on Jones and
Emmons' considerable California legacy,
pointed out the significance of the
Edgewood, saying, "With the recent demo-
lition of the Daphne Funeral Home in San
Francisco, the Embarcadero remains as the
most significant example of Jones and
Emmons work in the Bay Area."
Conti toed on a e 5
Coming to Palo Alto's Cubberley November 1-2
`Celebrate Eichlers': two-day event to salute
50 -year anniversary, new book, `historic' bid
nh the ever-present wave of in-
terest in the Eichler homes con-
tinuing to rise with each pass-
ing year, 2002 looks like a prime time
to step out and "celebrate Eichlers"!
That's definitely the feeling of the
event planners behind Celebrate Eich-
lers, a first -of -its -kind, two-day show-
case of Eichler exhibit materials, speak-
ers, and home -improvement vendors set
for November at Palo Alto's Cubberley
Community Center auditorium.
The brainchild of the Eichler 'His-
toric Quest' committee, a group which
has several applications on file for the
Eichlers with the National Register,
Celebrate Eichlers will focus its festive
theme on three recent Eichler develop-
ments: the Eichlers' continuing 50 -year
anniversary, the release of the upcom-
ing book Eichler: Modernism Rebuilds
the American Dream. and Historic
Who cares about the Edgewood?
Preservationist
Adriene Biondo
does! But her
eleventh -hour push
to rescue Palo
Altos Eichler -built
Edgewood Plaza
is in need of both
time and backing.
Below
' Palo.Alto'swwood Plaza
Last-ditch rally to spare center,
original Eichler office from ruin
By Jack Levitan
here is the surge of support back-
ing Palo Alto's Eichler -built Edge -
wood Shopping Center, presumably
headed for demolition when City Hall ap-
proves its proposed plan in September?.
While support in Northern California
has seemed unusually quiet, down south a
member of the Los Angeles Conservancy's
Modern
Committee A
has made a
surprise _
move late in -
the cam-
paign. Wav- y
ing a long-
distance
flag of advocacy for the endangered center,
Southern California preservationist Adriene
Biondo has identified a homespun Eichler
connection, and intends to act on it.
Because the 4.5 -acre Edgewood was
designed by the highly regarded Los An-
geles -based architectural firm of A. Quincy
Jones and Frederick Emmons, whose body
of modern work was focused primarily in
Southern California, the Conservancy
Modern Committee has become particu-
larly concerned, moving beyond their usual
Southern California borders to influence
the Edgewood's fate.
"9 am proposing that Palo Alto's entire
Edgewood center remain intact, and be
restored and revitalized," stated Biondo,
who is the residential chair of the Modern
- Continued on nage 2
Quest's own pending National Register bid.
Slated for Friday and Saturday Novem-
ber I and 2, Celebrate Eichlers will be a
free event open to
all. Planned as
nonprofit by His-
toric Quest's
small committee
of volunteers,
Celebrate Eichlers'
production costs
are provided by a
dozen home -im-
provement com-
panies who ser-
vice the Eichler
communities.
"With so
tional Register nomination — we feel that,.
2002 is the right year for a celebration,"
said Barry Brisco, co-chair of Historic
Quest. "With the surge of interest in Eichler
homes and mid-century modernism in gen-
eral, we look forward to an event of this
nature being well received."
Celebrate Eichlers' planned exhibit will
bring together the best visual materials from
the Building the American Dream exhibit
(UC Berkeley, 1999) with new items col-
lected over the past three years. "We plan
to include several
NEWS ON EICHLER BOOK, H
•ON SCHEDULE. Upcoming book Eichler: Mod-
ernism Rebuilds the American Dream is on track
for fall release. This issue author Paul Adamson
ponders his ambitions for writing it. See pagge 3
-ON ORDER. Pre-release orders for 'American
Dream signed by the authors are sold out, but book
signings will continue at Celebrate Eichlers. The spe-
cial discount stands through August. See page 1
-ON HOLD. Historic Quest's Terra Linda (San
Rafael) and Rancho San Miguel (Walnut Creek)
National Register applications have been delayed
while four others are still in process. See page 5
many things com-
ing together this year— many Eichlers ap-
proaching the half -century mark, the re-
lease of the new Eichler book, and our Na -
of the more inter-
esting Eichler bro-
chures and other
unusual Eichler
memorabilia we
have collected as
part of our re-
search," Brisco in-
dicated, "as well as
acknowledge the
subdivisions and
properties that are
part of our Na-
tional Register
nominations."
The Historic Quest committee also has
compiled a list of high-profile names who
are being approached as potential speakers
for Celebrate Eichlers. "All we can say
for now is that we'll feature several
Eichler Homes' alumni as well as people
like author Paul Adamson," he said.
"Our goal is to produce an event
that will bring together Eichler own-
ers and enthusiasts and reinforce the
message that the Eichler style and spirit
is alive and kicking."
For the event's two days, each of the
12 participating sponsors will be able
to showcase their services and products,
and provide information for those in-
terested, at special sponsorship tables.
Celebrate Eichlers' sponsors in-
clude Able Roofing, Anderson Radiant
Heat, Cal-Pac Roofing, Eichler Siding,
Franz Rogmans Hydronic Heating,
Gilman Screens & Kitchens, Key Con-
struction, Noise Solutions, the Palo
Alto Historical Association, Palo Alto
Utilities, and Unico System.
A special Celebrate Eichlers pro-
gram detailing event itinerary; sched-
ule, and location will be mailed free to
all Eichler dwellers and Eichler Net-
work subscribers in early September.
Volunteers interested in assisting
Historic Quest produce Celebrate
Eichlers are asked to contact event pro-
ducer Doug Baird at 415-626-9494.
Joe Eichler's image of inspiration
This photo of two
boys — one block,
the other Asian —
by Albert Kahn
symbolized for
Joe Eichler the
"most eloquent
expression " of
his philosophy.
Page 4
'The Joe Eichler' knew"the `household word' 16self
p :AnRE l
By Carolyn Caddes
1 was in awe of Joe Eichler. His name
already had been a household word
by the time my husband and I relo-
cated from Texas to California in 1959.
In spite of our deep admiration for
Mr. Eichler and his values, we found
his homes — with their flat roofs, glass
walls, and dark paneling = unattrac-
tive and uninviting.
We considered their heating sys-
tems in the floor peculiar. Good homes
in the South had peaked roofs, sheet -
rock walls inside that were painted or
papered, and used brick outside that
gave the facade substance.
To the uninitiated like us, the Eich-
lers were skimpy. .
From awe to admiration, owner recalls her close encounters
Palo Alto Eichler owner
Carolyn Caddes (left) knew
Joe Eichler for only two
years. until Joe's passing in
1974. Her memoirs about the
builder; part of which appear
here, were recently discov-
ered in the archives of the
Palo Alm Historical Associa-
tion. Carotvn'.s account is
Channing, her depiction of
Mr. Eichler most revealing.
But after
13 years in
California,
visiting sev-
eral friends in
their Eichler -
built homes,
and observing
their comfort
with the light,
the indoor -
outdoor ambi-
ence, and art
on their walls, we changed our minds
about it all. And that's when we first en-
countered the 'household word' himself.
While walking through the kitchen of
a Mountain View model home in the sum-
mer of 1972, 1 mentioned to my husband
that the stained -wood ceiling would even-
tually become greasy and not lend itself
to washing.
From behind us came a low, raspy voice:
"Grease does not gather on those ceilings!
You'll never have to worry about that!"
1 recoiled. Turning around, I saw an
aged salesman, a cigar -chomping type,
looking down his face and pointing at me.
I didn't like to be pointed at, I thought,
especially by an eavesdropper — and one
who likely never cleans kitchens anyway!
Some time later we learned that this sales-
person was Joe Eichler himself.
The next time I ran into Mr. Eichler
was at a Palo Alto city council meeting in
the autumn of 1972, when he was argu-
ing for approval of his plans for the Old'
Military Academy/Harker Day School
property in Palo Alto, which he had
purchased for development.
There was fierce debate between
those who wanted low-income hous-
ing on the property and others from
the immediate neighborhood who
were petitioning in support of
Eichler's development of 30 homes to
be called Greenwood One and Green-
wood Two.
When Mr. Eichler was asked to de-
fend a few items in his plan, he walked
slowly and deliberately to the podium,
thrust his hands in his pockets, and
spoke confidently into the microphone.
Mr. Eichler's delivery and vocabu-
lary were impressive. He cracked a few
jokes, expressed some anger, showed
surprise that the council was being so
critical, and occasionally punctuated
his feelings with a curse word.
After the meeting, I introduced
myself to Mr. Eichler and managed to
ride down the elevator with him and
his entourage. He grumbled about the
meeting. "They all used to like me
when I was supporting open housing,"
he barked. "I was nearly like a hero,
God forbid, but now they've changed.
How, in only 15 years, can I so easily
become the villain?"
Later, when I inquired by phone at
the Eichler offices to ask about purchas-
ing one of their Palo Alto houses, Joe
personally drilled me with questions.
- Continued on nage 7